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Why Is There a Dearth of Protest Music in Nigeria Today?
Iyabo Ojo’s “Labake Olododo: The Warrior Lord” Hits Cinemas This March
“Love, Olaitan” Review: Moyosore Akinsete’s Short Film Is a Mesmerising Portrait of Love and Loss
Features & Essays
In the Wake of Ojo Taiye’s Sneaky Poetry, How Should Plagiarism in the Nigerian Literary Community Be Addressed?
Artificial Intelligence, Neocolonialism, and the Politics of the English Language
Emeka Nwokedi: A Classical Music Conductor of International Repute
Is This the Age of Nollywood at Domestic Box Office?
Africanfuturism: A Literary Plane of Infinite Possibilities for Africa’s Future
Nollywood and the Evolution of the Sacred Feminine
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Interviews
David Olatoye: A Visual Artist Forging His Identity Through Pen and Canvas
Móyòsóré Martins: Embracing Abstraction and Imperfectionism in Grunge Art
“In Bloom” Anthology Creators: In Conversation with the Changemakers Who Lend a Voice to Gender Equality
In Conversation: “I Want People to Know that Africa Has Real Filmmaking Talents”, Claire Diao, Film Critic and Founder of Sudu Connexion
Director Pink: Standing Out as a Music Video Director in a Crowded Music Industry
In Conversation: Nollywood Film Editor, Martini Akande, Dissects the Anatomy of Editing a Memorable Scene
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Film & TV
“A Ghetto Love Story” Review: Basketmouth’s First Foray Into Film Production Is Impressive
“Umjolo: The Gone Girl” Review: Fikile Mogodi’s Debut Feature Lacks Substance
“Loose Cannon” Review: Olisa Eloka’s Short Film Is a Reminder of War’s Devastating Consequences
“Hijack ‘93” Review: Robert O. Peters’ Thriller Fails to Take Flight
“At Ease” Review: Seun Richards’ Directorial Debut Is a Refreshing Take on War Trauma
“Inside Life” Review: Clarence Peters Explores Dark Realities at a High Emotional Cost
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Music
“Taigwa Goma” Review: 4Mr Frank White Displays a Seamless Harmony in His Afro-Swing Rap
Afrocritik’s 2024 Top 100 African Songs
“Recess” Review: Joshua Baraka’s Growth on Full Display in New EP
Black Man Bulala: Examining Odumodublvck’s Verse on “Olufunmi Reimagined”
Afrocritik’s 2024 Top 50 African Music Projects
How Has African Hip-Hop Fared In 2024?
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VIDEOS
Welcome to our YouTube Channel
Books
In “Like Water Like Sea”, Olumide Popoola Offers an Exploration of Contemporary Human Experiences
Ike Anya’s “Small by Small” is a Medical, Personal, and Artistic Triumph
Tolu’ A. Akinyemi’s “Black Does Not Equal Inferior” Invokes the Spirit of the Harlem Renaissance
Onyeka Nwelue Set to Release a New Book, “The Nigerian Mafia: Johannesburg”
“On the Train to Hell” Review: Throes and Consciousness Helm Tolu A Akinyemi’s Poetry Collection
“Love Grows Stronger in Death” Anthology Explores the Depth of Human Emotions Amidst Mortality
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Culture
Five Colourful Festivals Across West Africa
Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed
Here Are Six Things You Shouldn’t Discuss On A First Date
DishAfrik, A Culinary App That Seeks To Curate African Cuisine On A Global Scale, Set To Launch In Style
Has The Concept Of Tolerance In Marriage Become Old-Fashioned?
Tribal Marks: Cultural Heritage, Or Plain Barbarism?
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Fashion
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Size Bias on Our Runways: How Inclusive Are Fashion Competitions and the Industry?
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AMVCA 2024: 7 Designers Whose Outfits Graced the Red Carpet
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10 African Models Making Waves in the Global Fashion Industry
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Sports
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
Ons Jabeur’s French Open Exit: So Close Yet So Far From the Grand Slam Title
Why North Africa Continues to Dominate in Continental Club Football
Highlights From the 2024 Marrakech Diamond League
Will Finidi George Usher in a New Era for Nigeria’s Super Eagles?
How Lucrative is the Competitive E-sports Industry Today?
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Explainers
Fiction & Poetry
Fresh Dope (When Hope is a Voice Trapped in Dead Air) | Dhee Sylvester
Two Poems | Olaseni Kehinde Precious
The Woman Who Broke the Wall | Ikechukwu Henry
Little Gifts Given to the Wild | Joemario Umana
It’s enough for us to sit in silence and wonder | Abigail George
Waltz Beyond the Veil | Obongofon Etuk
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