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25 Emerging African Artistes You Should Listen to in 2026
Joke Silva Joins Emmy-Winning Filmmaker Joel ‘Kachi’ Benson as Executive Producer for “Mothers of Chibok” Ahead of Theatrical Release
Tyla Wins Second Grammy Award for Best African Music Performance at the 68th Grammy Awards
Features & Essays
Why Do Nigerians Pray So Much?
Kwani? To Qwani: The Layers of 21st Century Literary Time in Kenya
The Consolation of Poetry
A Country That Shows Up: Kenya’s Cultural Social Capital
The Myth of the Apolitical Artiste
Condescending Benevolence: The Colonial Paradox of “Mister Johnson”
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Older Articles
Interviews
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
In Conversation: Seun Kuti Talks “Bird’s Eye View” Podcast, Pan-Africanism, and the Power of Truth
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”
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Film & TV
“A Very Dirty Christmas” Review: Religion and Nollywood’s Soft Censorship
Sundance 2026: Olive Nwosu’s “Lady” Weaves Dreams, Trauma, and Chaos into a Gender-Aware Debut
25 African Films Turning 10 in 2026
“Colours of Fire” and the Anxiety of Technical Progress
“Behind The Scenes” and the Business of Being Funke Akindele
What Femi Adebayo’s Community Screenings Reveal About Nollywood’s Search for New Distribution Models
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76
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Music
25 Emerging African Artistes You Should Listen to in 2026
“Real, Vol. 1” Review: Wizkid and Asake’s Joint EP Falls Short of Its Monumental Potential
The Rise of Kenyan Oontz Music and Culture
10 Classic African Songs Turning 10 in 2026
The Myth of the Apolitical Artiste
“Eba Anthem” Review: How Faloh Jagaban Turned a Staple into a Cultural Statement and Disapora Identity
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105
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VIDEOS
Welcome to our YouTube Channel
Books
Literary Merit or Not: Nigerian Publishing and Gemspread’s Attempt
Of Cities and Ancestors: A Review of “The Naming” and “African Urban Echoes”
“Poetry Has All My Pain” and “Love Through the Eyes of a Village Boy” Review: Vic’Adex Twin Collection Finds Tension in Parental Absence and Love
Afrocritik’s Most Anticipated Books of 2026
Afrocritik’s Notable African Books of 2025
Carrying These Poems Far Into the Middle and Beyond: A Review of Othuke Umukoro’s “Fenestration”
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Culture
Why Do Nigerians Pray So Much?
The Beautiful Lie of “Making It”: Kenyan Youth, Hustle Culture, and the New Local Dream
Sanctified Sleeplessness: Nigeria’s Addiction to Holy Hustle
What Being Disabled Taught Me About Nigerians
Prestige vs Payoff: Do University Rankings Still Matter in Nigeria?
Why Nigeria Still Can’t Find Its Balance of Power
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
AFCON 2025: How Drama and Passion Shaped the Tournament
Afrocritik’s Top 25 Sports Personalities of 2025
NFF Presidency: Can John Obi Mikel Effectively Lead Nigerian Football?
Ghizlane Chebbak and the CAF Awards Debate: Was Merit Ignored?
Same Grievance, Different Year: The Endless Cycle of Unpaid Bonuses in Nigerian Football
Ignoring Africa’s Sports Merchandise Market Is Costing Clubs Millions
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Explainers
Serhou Guirassy: Against the Odds
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans
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Fiction & Poetry
“How to Save a Drowning Man” | Poem by Jean Wathugu
“We are but wax” | Poem by Obongofon Etuk
“Fathers of Alego’s Roads” | Poem by Victoria Kerubo
AT THE ALTAR | Poem By Rutendo Chichaya
Afrocritik’s 50 Remarkable African Short Stories of 2025
Three Poems | By Tobi Aluko
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