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In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
Prime Video Suspends “Gangs of Lagos” as Lagos Court Bans Streaming of Jade Osiberu’s Film
Afrocritik’s Weekly Music Spotlight: Energy Boost
Features & Essays
Igbobinna Eze: An Artist Staying True to His Spirit
In the Place Between Sleep and Awake
Afrocritik’s 50 Notable Essays from Africa in 2024
The Evolving Role of Streaming Platforms in Global Culture
Does Nollywood Have Too Many Speaking Events?
What Music and Dance Trended in Francophone Africa in 2024?
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Interviews
In Conversation: Minz Speaks on Debut Album, His Sound, and Defying the Odds by Any Means
In Conversation: Ogranya Talks “Freedom Way” and Nigeria’s Live Performance Culture
Yemi Alade: The Rebel Queen of Afro-Pop
Sabi Wu Is East Africa’s Best Kept Secret
In Conversation: Camillo Doregos on Managing Mr Eazi, Pheelz, and Key Industry Lessons
In Conversation: Mark Mac on Amapiano’s Evolution and the Trials of Talent Management
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Film & TV
What Happened to Nollywood Sitcoms?
“Tarella: Princess of the Nile” Review: A Nollywood Cinderella Reimagining With Too Little Imagination
“Summer Rain” Review: Adenike Adebayo-Esho’s Film Anchors a Promising Romance That Fizzles Away
“Kash Money” Review: Kenya’s Netflix Release Lacks Dimension And Complexity
“Penance” Review: Awal Abdulfatai’s Film Fails to Deliver on Its Premise
“Something About the Briggs” Review: Bukola Ogunsola’s Film Cleverly Navigates Marital Realities
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Music
Afrocritik’s Weekly Music Spotlight: Buttery Smooth
“Onorato” Review: Ajebo Hustlers Flex Their Sonic Consistency with New EP
“Children of Africa” Review: Seyi Vibez’s EP Is an Unorthodox Comeback That Works
Afrocritik’s Weekly Music Spotlight: Zouk Party
“Just When You Thought It Was Over” Review: Toye Aru and Derrick UGC Combine Magnificently on Joint Album
“Colourful Generation” Review: Bruce Melodie Proves He Is Still A Top-Notch Crooner
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VIDEOS
Welcome to our YouTube Channel
Books
Navigating the Business Side of Writing: What Every Author Needs to Know
“A Future in Chains” Review: Ndifreke Ukpong’s Book Expertly Tackles Faith, Tradition, and Resilience
Afrocritik’s Anticipated Books of 2025
Afrocritik’s Notable Books From Africa in 2024
Afrocritik’s 35 Remarkable African Short Stories in 2024
“And So I Roar” Review: Abi Dare’s Sequel Sends Powerful Message on Female Advocacy
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Culture
Cyberbullying: The Lasting Toll on Victims and How to Address It
The Touchstones of Kikelomo’s Maternity Photography
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
Kingsley Ayogu’s “If Hives Could Dance in Colours” Is a Poetic Exploration of Life and Memory
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Fashion
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Size Bias on Our Runways: How Inclusive Are Fashion Competitions and the Industry?
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AMVCA 2024: 7 Designers Whose Outfits Graced the Red Carpet
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10 African Models Making Waves in the Global Fashion Industry
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Sports
The Year Ahead in African Sports: Key Competitions in 2025
Afrocritik’s Top 20 African Athletes of 2024
Letsile Tebogo: The Rise to Men’s Athlete of the Year in 2024
AMGA 2024: Inside The Second Ever African Military Games
CAF’s Prize Money Boost: A Game Changer for African Women’s Football?
Can the Black Stars Defy the Odds and Qualify for AFCON 2025?
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Explainers
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
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Fiction & Poetry
Three Poems | By Emmanuel Somtochukwu Ferdinand
Conversations With Strangers | Fiction By Lydia Mutuku Nzilani
Three Poems | By Muheez Olawale
The Wooden Shack | Fiction by Ndakotsu Abubakar
Contranormative: A Monologue | Poem by Precious Chidera Harrison
Broken Vessels and Other Poems | By Feyijimi Fayowolé
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