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At the Squad

By Olugbade Majeed Abiola The green grass squad circumjacent in white hosting its habitual hoo-ha…

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In “Love and Highlife,” The Cavemen. Become Better Masters of their Craft

Oliver de Coque as well as Osita Osadebe were pioneers of praise-singing for wealthy and…

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8 Nigerian Songs That Rocked October

By Chinonso Ihekire If you are reading this right now, congratulations for making it to…

AMAA Awards
AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD

By Vivian Nneka Nwajiaku On Friday, the 26th of October, 2021, at the Ebony Life…

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Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed

Today, the hair industry, according to Statista, is worth over $94 billion, projected to be…

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Motion

MOTION By Oladosu Michael Emerald “If you control the resonance frequency of an object, you…

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Buju’s “Sorry I’m Late” is an Unapologetic Portrait of Potentials

While juggling the terrains of mellowed Afro-fusion, Buju creates a soulful bowl of optimistic and…

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Animal Rights in Nigeria are Undervalued

While arguably many African countries have seemingly refused to recognise animal sentience and the preservation…

Egeedee
Egedege: Igbo Music is now a Rave in Pop Culture, and this Time, Millennials are Behind It

Egedege, has returned to the mainstream of Nigerian music, now as a new, contemporary genre……

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Chibundu Onuzo’s “The Spider King’s Daughter” Fails Tragically in its Literary Bidding

Chibundu Onuzo’s “The Spider King’s Daughter” takes the form of didacticism that midwifed the Onitsha…