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The Son of the House: Cheluchi Onyemelukwe-Onuobia’s Powerful Storytelling Builds an Edifice from an Age-worn Plot

The work bears the twin markers of excellent prose and an intuitive sense of direction.…

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Emem Isong’s “Special Jollof” Fails As a Romantic Drama

…an unexciting and overambitious flick that does not work as the romantic drama that it…

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Zamorra’s “Storms and Rainbows” Is a Good Listen that Holds its Own

By Fatiat Saliu Over the years, the generic Afrobeats genre has evolved. We have experienced…

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A Guide To Making Hit Songs: New Gen Producers’ Version

By Fatiat Saliu The premise that young people are taking over the Nigerian music scene…

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A Guide To Essential Items For Your Hospital Bag

By Nicole Philips-Kemenanabo Pregnancy, as many have come to learn, is one of the most…

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“Back in Office”: Mayorkun Evolves on Sophomore Project

In 2021, he was recruited by Sony Music West Africa, a move that necessitated his…

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Is “Holy Flogging” Now a Proper Christian Thing?

Christianity’s history is dotted with largely unsavoury practices, some of which have even survived till…

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I Toil Through the Deep, & Other Poems

By Martin Ijir I Toil Through the Deep Come, let’s have this shower These October…

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8 Nigerian Music Divas Making Great Hits Today

By John Augustina Over the last decade, female artistes in Nigeria have remained defiant and…

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Dearest, & Child, Though Death be a Tyrant, not Every Dead Yielded to Tyranny

By Chisom Charles Nnanna Dearest I know what it means to go the mirror &…