Nollywood

AMAA Awards
AMAA 2021 NOMINATIONS: A GUIDE TO THE NOMINATED FEATURE FILMS FROM NOLLYWOOD

By Vivian Nneka Nwajiaku On Friday, the 26th of October, 2021, at the Ebony Life…

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Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”

Emotion is clearly the driving force of this film — pure and genuine — held…

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Hide ‘N’ Seek and its Decent but Inadequate Effort to be Different

The movie gains extra points for its stylish presentation of its acts as chapters, its…

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“Shadow Parties” Jumps Too Many Steps in the Wrong Directions

Dr. Ian Stones says in the film that, “The road to hell is paved with…

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Kunle Afolayan’s Adaptation of Sefi Atta’s “Swallow” Could Have Been More Powerful

Swallow is a historical drama, but its story is not dependent on any significant event…

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Imaginative, Stimulating And Thrilling – Further Consideration Of Kemi Adetiba’s “King Of Boys: The Return Of The King”

By Michael Kolawole  King Of Boys: The Return of the King, a seven-part Netflix limited…

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Movie Review: Kemi Adetiba’s “King Of Boys: The Return Of The King” Is Enjoyable, But It Lacks Bite

By Vivian Nneka Nwajiaku King of Boys, Kemi Adetiba’s crime drama, made great impact on…

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“African Filmmakers Need To Retain Their Original Form Of Storytelling” – Akinola Davies Jr, Director Of “Lizard”

“The lizard that jumped from the high Iroko tree to the ground said he would…

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#Throwback Movie Review: Moses Inwang’s “Body Language” Is Captivating, Suspense-Laden Drama

By Jerry Chiemeke Released in 2017 by the Royal Academy in collaboration with ROK Studios, Body…

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Seyi Babatope’s “When Love Happens” And Nollywood’s Approach To Romance Stories

By Michael Chiedoziem Chukwudera Many Nollywood films of today, especially the ones made available for…