Jerry Chiemeke

Blackstar Film Festival: Susy Pena’s “This Is Forever” Examines Identity, Immigration And Family Bonds

By Jerry Chiemeke For immigrants who slug it out in first-world countries, life can be…

Blackstar Film Festival: Jonelle Twum Subtly Explores Race, Immigration And Capitalism In “A Mother’s Body”

By Jerry Chiemeke In many first-world countries, women of colour take up multiple jobs to…

Blackstar Film Festival: Akinola Davies Jr’s “Lizard” Is A Short But Compelling Watch

By Jerry Chiemeke All lizards lie prostrate. No one knows which of them has belly…

Blackstar Film Festival, The World’s Premier Event For Filmmakers Of Colour, Returns For A Tenth Edition

By Jerry Chiemeke The Blackstar Film Festival, the world’s premier film showcase that celebrates filmmakers…

Dambe, A Traditional Combat Sport Worthy Of Preservation

By Jerry Chiemeke One busy weekday afternoon a few years ago, I was returning from…

#Throwback Album Review: Falz Channels His Inner Fela In “Moral Instruction”, But Didactics Are Not Enough

By Jerry Chiemeke It was always going to come to this. For every “La Fete”…

Review: Show Dem Camp Sound A Little Bit Jaded As They Ruminate On Nigeria’s Woes In New Mixtape “Clone Wars 5: The Algorhythm”

By Jerry Chiemeke It was September 2013, I had only just completed law school a…

#Throwback Movie Review: Tope Oshin’s “In Line” Is A Slow-Burning Delight

By Jerry Chiemeke Year of Release: 2017 Genre: Romantic Drama Cast: Adesua Etomi, Uzor Arukwe, Chris…

Review: Inart Serves Up An Ambitious Body Of Work With Sophomore EP “Meraki”

By Jerry Chiemeke In a music space that frequently churns out songs that thrive on…

How Nigerian Music Powers Hollywood Blockbusters

By Jerry Chiemeke On June 25, 2021, Nigerians on Twitter struggled (in vain) to contain…