Film and TV

“Savage Beauty” Review: A Dysfunctional Wealthy Family in a Tale of Revenge

…that the idea is not original does not mean that there is nothing new to…

“The Man for the Job” Review: More Is Less in Niyi Akinmolayan’s Tech-World Crime Thriller

The movie is at its best when it is being relatively simple, but when it…

Four Nollywood Crime Thrillers to Stream After “Blood Sisters” (And Four Coming Soon)

By Vivian Nneka Nwajiaku If you have been paying any attention to Nollywood or Netflix,…

“Blood Sisters” Review: Netflix’s First Nigerian Original Series is EbonyLife’s Dramatic Comeback

…even if most of the details of the plot will be easily forgotten, Blood Sisters…

“Silverton Siege” Review: Is this Film about the Silverton Trio? Not Really

Creative liberties had to be taken. But the screenplay could have kept closer to the…

Now That “The Real Housewives of Lagos” Has Brought You to Showmax, Here Are Other African Shows on It to See

By Vivian Nneka Nwajiaku The international reality television franchise, The Real Housewives, finally came to…

“The Man of God” Review: Austen-Peters’ Latest Netflix Release Struggles Against Itself to be Great

However, while The Man of God is a beautiful script, it is plagued by a…

“Lady Buckit and the Motley Mopsters” Review: Nigeria’s First Feature-Length Animation Comes to Netflix

Lady Buckit is unique, at least to a Nigerian viewer who has not been privileged…

“King of Thieves” Review: Femi Adebayo’s Epic Sets a New Standard for Nollywood

But if this is the minimum standard for the coming big-budget epic movies from Anthill…

“The Rise of Igbinogun” Review: Ideh Chukwuma Innocent Brings “epic” to the Cinemas with His Latest Addition

The Rise of Igbinogun does not hype its presence. It does not try so hard…