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Jewel
“Jewel” Review: A Quiet Reminder of the Continuing Impacts of South Africa’s Sharpeville Massacre

For a film about the unforgettable trauma of a tragic historical event, Jewel feels less…

Love Damini
“Love Damini” is a Cathartic Epistle From Burna Boy 

Love Damini falls short of Twice As Tall. It is not as stately as African…

Fire
Candy Bleakz’s “Fire” EP is a Mid Debut

Fire is a one-dimensional project. Rather than show her sonic diversity, Candy Bleakz seems to…

Abortion Ban
Abortion Ban, and the Fate of African Women in the US

…the ruling seems to be more disadvantageous to African women because statistics has it that…

the Kujus
“Introducing the Kujus” Review: Biodun Stephen Creates a Dramatic and Incredibly Relatable Family

Between the intragroup relationships within the family, the age and seniority dynamics, and the uninvited…

Silent Baron
“Silent Baron” Review: An Easily Forgettable Tale of Blinded Trust and Stolen Innocence 

…the movie sells more as a display of failed trust than the consequences of drug…

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Despite Strict International Laws, Challenges Abroad, Young Africans are Still Crossing Borders

The migration trend is not entirely new. Since the 1950s, people, particularly the elite class,…

Rise
“Rise” Review: Akin Omotoso Directs a Family-Friendly Sports Biopic for Disney

The special focus on family definitely pays off, making the film richer than an average…

Rated
Ceeza Milli’s “Rated” EP is a Subpar Return 

Rated doesn’t sound like the much-desired update on Ceeza Milli’s artistry; rather, it raises some…

Buga
Kizz Daniel Unveils a Carnival For Buga Video

The Buga video serves as evidence that when an artiste spends good money in music…