highlife

No Love in Lagos
“No Love in Lagos” Review: Show Dem Camp, The Cavemen & Nsikak David Deliver a Masterful Blend of Highlife and Hip-Hop

No Love in Lagos is a deeply reflective body of work that captures the complex…

“Madam Dearest” Review: DOTTi the Deity Delivers a Captivating Love Anthem| Afrocritik
“Madam Dearest Pt.1” Review: DOTTi the Deity Delivers a Captivating Love Anthem

Armed with a bag filled with melodious stories, DOTTi creates an immersive project that unfolds…

What is Bongo’s True Identity?

The cultural identity that Bongo music wears makes it distinct and, indeed, delightful, but it…

Storyteller and Gentleman: What is the Measure of Mike Ejeagha’s Influence on Highlife Music in Nigeria?

Folklore rules the mythical landscape of Mike Ejeagha’s music; his lyrical calibrations are more about…

Bisa Kdei on “Original,” the Fragility of Life, Career Longevity, and Future Plans: In Conversation with Afrocritik

By Emmanuel Daraloye I got fully introduced to the music of Bisa Kdei in January…

Umu Obiligbo and the Igbo Music of Life

What becomes immediately clear is that Umu Obiligbo is the symbol of the changing times…

“Back 2 Basics”: Is R2Bees the New Preacher of Love?

…R2Bees has been an integral part of the Ghana music industry, and oftentimes, their influence…

“Something to Live For” Adds Little to Phyno’s Reputation

Phyno’s fans deserve something better than this in a project grandly titled “Something to Live…

In “Love and Highlife,” The Cavemen. Become Better Masters of their Craft

Oliver de Coque as well as Osita Osadebe were pioneers of praise-singing for wealthy and…

Meet “The Cavemen”, The Tag Team Revolutionizing Highlife Music In Nigeria

By Emmanuel Daraloye The Cavemen are a modern highlife duo, comprising two brothers: Kingsley Okorie, who distinguishes…