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“Ẹlẹṣin Ọba” Review: Netflix’s “Death and the King’s Horseman” Adaptation Is a Play, Not Really a Film

Ẹlẹṣin Ọba’s commitment to its source material, the play, is at once a blessing and…

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“Brotherhood” Review: Jade Osiberu Delivers Quality Fun in Trope-Filled Action Flick

There is not a single thing about Brotherhood that’s truly original. But who cares? A…

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Scores and Original Soundtracks: Nollywood’s Untapped Goldmine?

Music in film is a vital contributor to its success. It aids the free flow…

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Blackstar Film Festival: Jonelle Twum Subtly Explores Race, Immigration And Capitalism In “A Mother’s Body”

By Jerry Chiemeke In many first-world countries, women of colour take up multiple jobs to…

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Blackstar Film Festival, The World’s Premier Event For Filmmakers Of Colour, Returns For A Tenth Edition

By Jerry Chiemeke The Blackstar Film Festival, the world’s premier film showcase that celebrates filmmakers…

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How Nigerian Music Powers Hollywood Blockbusters

By Jerry Chiemeke On June 25, 2021, Nigerians on Twitter struggled (in vain) to contain…