kayode kasum

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“Áfàméfùnà” Review: Kayode Kasum’s Heartfelt Love Letter to Igbo Enterprise Could Use Better Structuring

One begins to get a sense that Áfàméfùnà has not been structured properly. Its focus…

Kayode Kasum - Interview with Afrocritik
“Music is One of My Filmmaking Signatures”: Nigerian Filmmaker, Kayode Kasum, in Conversation with Afrocritik

“Because of my fondness for music, I use it a lot in my films. As…

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“Soólè” Review: Kayode Kasum Might Need a Break for Artistic Introspection

The directing in Soólè is poor, and the screenplay, an irredeemable piece of incompetence. By…

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Kayode Kasum’s “Dwindle” Feels Like Recycled Ideas, Yet Entertaining to Watch

In the category of crime comedies, Dwindle is neither the best nor the worst you…

Ile Owo
“Ile Owo” Review: Dare Olaitan’s Horror Film Is Heavy on Suspense and Light on Terror

In Ile Owo, we have an undeniable horror flick that somehow doesn’t leave you feeling…

Oga Bolaji - Afrocritik
“Oga Bolaji” Review: Kayode Kasum’s Slow But Rewarding Social Commentary

Oga Bolaji’s story is simple, beautiful and somewhat different from what we are used to…

kambili
Movie Review: Kayode Kasum’s “Kambili: The Whole 30 Yards” Is More Eye Candy, Less Romance

By Vivian Nneka Nwajiaku Many people have a love-hate relationship with romance movies, no thanks…