Music

Mood 4 Life
“Mood 4 Life” Review: Victoria Kimani’s Album Is Just as Beautiful as It Is Layered

Mood 4 Life exemplifies intricate music-making that prioritises hybridisation over a traditional approach to music.…

Homeless
“Homeless” Review: Llona’s Debut Album Is Raw and Reflective

Homeless is a powerful and poignant exploration of Llona’s resilience and vulnerability. By Hope Ibiale…

Son of Chike
“Son of Chike” Review: Chike Hits the Perfect Trifecta With Third Album

Son of Chike represents a brilliant confluence of Chike’s musical artistry and the cadence of…

Are you Listening?
“Are You Listening?” Review: Taves’ New Project is a Sonorous Blend of Emotions

In his latest project, Taves continues his journey of consistency while weaving tales of love…

HEIS
“HEIS” Review: Rema’s Sophomore Album is a Radiant Emblem on Afro-Rave

Beyond HEIS’ polarised reception, Rema is blending rare colours to create an even rarer palette,…

Lost and Found
“Lost and Found” Review: Simi Reaffirms Her Spot as a Modern African Ballads’ Connoisseur

Lost and Found is a confident assemblage of tracks distinguished by Simi’s sonorous vocals, specially…

Pheelz Good II
“Pheelz Good II” Review: Pheelz Basks in Creativity With His Latest Project

This EP showcases Pheelz’s exceptional ability to blend old and new sounds while exploring themes…

Kaycee Brown
In Conversation: How Kaycee Brown Is Embracing His Identity Through Music

“What I am trying to do with music is to push my sound to the…

Mbuzi
“Mbuzi” Review: Young Lunya’s Debut Album is a Reiteration of His Storytelling Prowess

Young Lunya’s greatness lies in his oration of experiences, and Mbuzi serves as a reiteration…

Ikigai cover
“Ikigai” Review: Olamide’s New EP Expands His Cultural Cachet

Ikigai stands as a quintessential emblem of Olamide’s signature musical style that further reiterates his…