Joseph Jonathan

Seven Doors
“Seven Doors” Review: Femi Adebayo’s Directorial Debut is Impressive

Despite some VFX and minor storytelling flaws, Seven Doors is an impressive film that makes…

“A Danfo Christmas” Review: Sebastian Ukwa is Committed to Telling Heartfelt Stories

Nollywood audiences crave heartfelt stories, and A Danfo Christmas delivers just that. By Joseph Jonathan …

Everybody Loves Jenifa
“Everybody Loves Jenifa” Review: Funke Akindele’s Latest Film Is a Worthy Addition to the ‘Jenifa’ Franchise

Everybody Loves Jenifa is a worthwhile film as it does not try to rehash the…

African films list
Afrocritik’s 25 Remarkable African Films of 2024

Afrocritik’s yearly film line-up cut across genres, including documentaries, thrillers, comedy, biopics, and drama, to…

Participants at the "Interactive Session with Hollywood and Nollywood"
Does Nollywood Have Too Many Speaking Events?

Nollywood’s potential is immense, but reaching it will require more than just conversations. By Joseph…

10 African Movies You Can’t Miss This Holiday Season
10 African Movies You Can’t Miss This Holiday Season
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As the holiday season approaches, the excitement only intensifies, with a fresh crop of exciting…

A Ghetto Love Story
“A Ghetto Love Story” Review: Basketmouth’s First Foray Into Film Production Is Impressive

A Ghetto Love Story is a film that would resonate with audiences as it portrays…

Umjolo: The Gone Girl
“Umjolo: The Gone Girl” Review: Fikile Mogodi’s Debut Feature Lacks Substance

Umjolo: The Gone Girl is another addition to Netflix’s growing list of underwhelming African films.…

Loose Cannon review
“Loose Cannon” Review: Olisa Eloka’s Short Film Is a Reminder of War’s Devastating Consequences

Loose Cannon seeks to evoke a deeper understanding of personal losses suffered during wartime. By…

Hijack '93
“Hijack ‘93” Review: Robert O. Peters’ Thriller Fails to Take Flight

Despite the potential of its story, Hijack ‘93 is a disappointing and lacklustre thriller that…