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The Cuts of Speaking Truth in Nigerian Cinema
AFRIFF 2025: Kalu Oji Reflects on Fatherhood and the Igbo Immigrant Experience in Tender Debut Feature, “Pasa Faho”
Burna Boy, Davido, Ayra Starr, Tyla, Youssou N’Dour Among African Artistes Nominated for 2026 Grammy Awards
Features & Essays
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?
10 Young African and Black Personalities Redefining the Creative Space
The Abstract Motions in Adetutu David Collins’ Art
Chinua Achebe’s “The Trouble with Nigeria” Revisited: Is Nigeria’s Trouble Still Rooted in Poor Leadership?
A Father’s Daughter Goes Home: The Illustrious Life of Mabel Segun
Why Is There a Dearth of Protest Music in Nigeria Today?
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Interviews
In Conversation: Moyosore Akinsete Talks “Love, Olaitan”, Growing Into Filmmaking, and the Fear of Loss
In Conversation: OluwaMillar Talks “Agbalagbi”, Creativity, and Breaking Barriers
In Conversation: Laurène Southe Speaks on Poetry, Creative Expression, and Diasporan Experience in Debut Chapbook
Tramaine Suubi Talks Debut Collection, the Craft of Poetry, and the Art of Literary Stewardship
In Conversation: Kimbassax Talks Upcoming Project, New Ventures, and More
In Conversation: Olubunmi Familoni Talks His NLNG Prize-Winning Book, Writing Process, and More
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Film & TV
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation
“PLS RT” Review: Ifeanyi Barbara Chidi’s Film Brings Urgency to Nigeria’s Kidnapping Crisis
“Zikoko Life” Review: The Unwavering “Female Happiness” Agenda of BluHouse and Big Cabal’s Anthology Series
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Music
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
The Neo-Arewa Soundscapes of FirstKlaz
Afrocritik Weekly Music Spotlight: Soul & Groove
“Ingubo Enamehlo” Review: Halo Yagami Tugs At Heartstrings Across New Album
Afrocritik Weekly Music Spotlight: Detour Week II
“WWP” Review: Tyla Returns to Form on New EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
“Barter” Review: Erhu Kome’s Dystopian Vision In Her Novella Falters in Execution But Shines In Concept
“Some Stars Do Not Fall” Review: Taofeek Ayeyemi’s Chapbook Meditates on the Language of Grief
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
“While She Slept” Review: Kumashe Yaakugh’s Novella Explores Ghosts, Memory, and Masculinity
“The Ones Before You” Review: Joba Ojelabi’s Chapbook Speaks to the Burden of Inheritance
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Culture
Top 10 Gyms in Lagos and Abuja
BNPL Services in Nigeria: The Benefits and Risks of Flexible Repayments
Content Piracy in Nigeria: Trends, Challenges, and Pathways to Resolution
Top 8 Nightclubs in Lagos and Why You Should Visit Them
Cyberbullying: The Lasting Toll on Victims and How to Address It
The Touchstones of Kikelomo’s Maternity Photography
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
Cricket Glory: Africa’s Rising Stars at the U19 World Cup
CHAN: Is It Truly Serving African Football?
The Year Ahead in African Sports: Key Competitions in 2025
Afrocritik’s Top 20 African Athletes of 2024
Letsile Tebogo: The Rise to Men’s Athlete of the Year in 2024
AMGA 2024: Inside The Second Ever African Military Games
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Explainers
Fiction & Poetry
Two Poems | By Muhammad M Ubandoma
Two Poems | By Tharseo Jovita
Soliloquy At The Portico | Poem by Marvellous Mmesomachi Igwe
Reawakening | Poem by Maryam Kekere-Ekun
Two Poems | By Excel Chinagorom Michael
Three Poems | By Victor Chịmbọ
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