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Afrocritik’s Top 100 African Songs of 2025
TSWA Film Festival 2025: Freedom of Movement and the Cost of Survival in “Casablanca – Dakar” and “Seed Is Life”
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
Features & Essays
What’s Behind Nigeria’s Fear and Criminalisation of Dreadlocks?
JAMB: Exam Body in Crisis or Symptom of a Broken Educational System?
Tolani Is Creating Music on Her Own Terms
Who Wrote This? The Crisis of Criticism in the AI Era
It’s the Eleventh Edition, and We Still Don’t Know What the AMVCA Trailblazer Award Is
Kester Kanayo Onyemaechi and His Archive of Healing
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Interviews
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
“Fortune Favours the Bold”: In Conversation With the Cast and Crew of “Red Circle”
In Conversation: Ife Olujuyigbe Talks Storytelling, the Realities of Producing, and Navigating Nollywood
Joel Kachi Benson Just Wants to Make an Impact
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Film & TV
AFRIFF 2025: Zoey Martinson’s “The Fisherman” Mines Humour in the Pursuit of Dreams and the Tensions That Accompany Change
AFRIFF 2025: “Njem” and “The Boy Who Gave” Find Drama in the Spectacle of Suffering
AIFF 2025: Rachida SaadiʼS “Double or Nothing” Is a Gamble on Love and Addiction That Plays It Too Safe
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”
AIFF 2025: “Adunni: Ogidan Binrin” Is a Story of Resistance Undone by Its Own Execution
AFRIFF 2025: Nwamaka Chikezie’s “To Adaego with Love” Is a Post-War Romance of Half Measures
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Music
Afrocritik Weekly Music Spotlight: Projects Galore
“This Is Personal” Review: Tiwa Savage Deeply Explores R&B in Her Most Soul-Baring Album Yet
“After Midnight” Review: Gyakie Consolidates Her Familiar Style on Debut Album
“Less Trouble” Review: Shekhinah Presents Her Best Work Yet With New Album
“Memorabilia” Review: Efue Announces Herself Impressively With Debut EP
Afrocritik Weekly Music Spotlight: BIG JOL!
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VIDEOS
Welcome to our YouTube Channel
Books
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues
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Culture
Can African Proptech Startups Build Trust in a Skeptical Market?
Can AI Make Loan Applications Fairer in Africa?
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
The Rise of Live-streaming in Nigerian Music Marketing
The Complex Relationship Between Football and Gambling
How Smart Waste Management Solutions Can Solve Africa’s Garbage Crisis
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
The Complex Relationship Between Football and Gambling
Serhou Guirassy: Against the Odds
Recap of the On-Going CAF U-17 Nations Cup
World Athletics’ DNA Testing: How New Gender Rules Impact African Athletes
Is It Time to Ban Libya From Hosting African Football Games?
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
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Explainers
Ranking AFCON Host Performances in the Past Decade
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
8 Common Cyber Attacks to Know, and How to Protect Yourself
The Menace of Cyber Attacks: What to Know About Phishing and How to Protect Yourself
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Fiction & Poetry
“Transit”, “Leaven”, & ”Arrive in Your Skeleton” | Poems by Abiodun Salako
HOMECOMING | Fiction by Chukwuebuka Obiakaeze
“Ancestry” & “The Cathedral” | Poems by Chimezie Umeoka
Two Poems by Doreen Masika
In Your Image | Poem by Tuke Ronald
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love
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