Spotlight
Headies
Deliverance

Features & Essays

Ernest Jesuyemi
The Poet’s Convenient Martyrdom (A Rejoinder to Ernest Jesuyemi’s “The Wrong Kind of Black Poet”)
Children of Blood and Bone
[Opinion]: Who and What Does the “Children of Blood and Bone” Film Adaptation Really Represent?
streaming
Streaming Africa: Predicting the Growth and Adoption of Online Video Platforms Across African Markets (2026–2031)
film incubators
How Film Incubators Are Transforming Talent Development, Financing and Market Access in African Cinema
Nigerian Literature
The Endless Work of Culture Positioning: The Challenge for Nigerian Literature
Slave Trade
Recognition of the Transatlantic Slave Trade as a Crime Against Humanity Should Lead to Repair

Interviews

Bea Wangondu
Sundance 2026: In Conversation with “Kikuyu Land” Directors, Bea Wangondu and Andrew H. Brown
Nana Adwoa Frimpong
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
Jason Jacobs
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
Nnamdi Kanaga
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
Seun Kuti
In Conversation: Seun Kuti Talks “Bird’s Eye View” Podcast, Pan-Africanism, and the Power of Truth
Perliks
How Perliks Became Nigeria’s Most Story-Driven Music Video Director

Film & TV

Dian Weys
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence
Ìwé Àlà
“Ìwé Àlà: An Ojude Oba Story” Review: Adeoluwa Owu Captures the Ojude Oba Beautifully But Surrounds It With a Story That Can’t Keep Up
Saïd Hamich Benlarbi
In Conversation with Saïd Hamich Benlarbi on His Cannes-Selected Docu-Drama, “In Search of the Grey Bird with Green Stripes”
Mohammed Taher
Tribeca Film Festival 2026: Mohamed Taher Talks Fatherhood, Vulnerability, and the Conversations We Avoid in “32B”
African films
10 African Films About Brotherhood and Male Friendship
Jail Time Records
Tribeca Film Festival 2026: “Jail Time Records” Turns a Cameroonian Prison Into the Most Unlikely Stage in the World

Music

Afrobeats
The Afrobeats Takeover: A Myth of Institutional Power
A Rii Set
“A Rii Set” Review: Pheelz Expresses Artistic Duality On New Project
Barely Legal
“Barely Legal” Review: Qing Madi Hits Full Stride on New EP
Spotlight
Afrocritik Music Spotlight: May on the Mind
Map of Her Shadow
“Map of Her Shadow” Review: Anaïs Cardot Dazzles Softly on Sophomore EP
Before The Morning Light
“Before The Morning Light” Review: Johnny Drille Expands His Prowess on New Album
Afrocritik Report - 2026 2025-01

VIDEOS

Welcome to our YouTube Channel

Books

The Shipikisha Club
“The Shipikisha Club” Review: Mubanga Kalimamukwento’s Book Is a Mosaic of Motherhood and Deferred Dreams
African literature
The Year So Far in African Literature: Talking Points of the First Quarter of 2026
BackHomeAbroad and Other Stories
“BackHomeAbroad and Other Stories” Review: Immigrant Realities Convene in Pede Hollist’s Collection of Stories
piracy
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
Ike Okonta
“The Situation in Africa Today Is So Urgent”: Ike Okonta on Fiction, Journalism, and Diagnosing the Nigerian Condition
Riding the Storm
“Riding the Storm” Review: What Does Africa’s Response to COVID-19 Teach Us?

Culture

power
Why Nigeria Still Can’t Find Its Balance of Power
talking stage
Neither Here nor There: The Talking Stage as Nigeria’s New Relationship Culture
Women
Undoing the Knots Society Tied in Your Mind
Surnames
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence

Fashion

AMVCA

AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night

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Met Gala

Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage

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Grammy
2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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AMVCA
2025 AMVCA: How the Stars Lit up the Night With Style
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AMVCA Cultural Day
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Africa Magic Viewers’ Choice Awards

Sports

WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage
Kyalami
Kyalami’s Renaissance: Paving the Way for F1’s Return to Africa
Club World Cup
Africa at the 2025 FIFA Club World Cup
African Football League
Has the African Football League Gone Ghost?
Unity Cup
Unity Cup 2025: New Squads, Old Rivalries, One Cause

Explainers

How Fuji Music Influences the Modern Afro-Pop Soundscape
How Fuji Music Influences the Modern Afro-Pop Soundscape
Samson Dauda
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
Gamification
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava artistes
Bongo Flava: The Evolution of East Africa’s Soundtrack
Cold chain storage technology
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses

Fiction & Poetry

Mine Too Counts
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
poems
“I Give You Softness” and Other Poems | By Olobo Ejile
Àtìpó: The Stranger I Have Become
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems
Two Poems | By Salama Wainaina
Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O