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Zaylevelten, Mavo: The Case for the Nouveau Underground
Arthouse vs. Indie: What’s the Difference?
“For Mama’s Boy” and Other Poems | By Ayiyi Joel
Features & Essays
Beguiling Beauty
Nollywood and African Spirituality: The Demonisation of a Continent’s Tradition
The Ethics of Knowledge and the Difficult Conversation Around Book Piracy in Africa
How Visa Denials Are Costing African Film Professionals More Than Just a Trip
The Long Retreat of East African Conscious Music
Thinking Through Christopher Okigbo’s Words
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Interviews
ADIFF 2025: In Conversation With Nana Adwoa Frimpong, Producer of “The Eyes of Ghana”
ADIFF 2025: In Conversation with the Filmmakers of South African Coming-of-Age Drama, “Carissa”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
In Conversation: Seun Kuti Talks “Bird’s Eye View” Podcast, Pan-Africanism, and the Power of Truth
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”
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Film & TV
African Filmmaking at the Crossroads of Oscars Reform and AI Ethics
“Call of My Life” Review: Dammy Twitch’s Feature Debut Is a Cute Romcom for the Lover Girls
“The Return of Arinzo” Mistakes Nostalgia for Necessity [A Review]
“Efunroye: The Unicorn” Review: Nollywood’s Most Politically Charged Historical Epic Chooses Devotion Over Truth
Livespot360 MD, Tiwa Medubi Talks “Real Housewives of Lagos”, “LOL: Last One Laughing Naija” and the Business of Reality TV
“Trade by Bata” Review: Biodun Stephen’s Culture-Clash Comedy Has One Brilliant Idea but Doesn’t Know What To Do With It
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Music
“The Game Needs Us” Review: BNXN and Sarz Reaffirm Their Creative Chemistry on a Cohesive Joint EP
“Sweet Boy” Review: Kuami Eugene Delivers Consistency on New Project
Afrocritik Music Spotlight: April Mega Spotlight
“Testimony of Grace” Review: Ice Prince Returns Wiser, Quieter, and More Purposeful
“M$NEY” Review: Asake’s Affluence Persona Takes Concrete Shape on New Album
“Modern Fantasy” Review: Suté Iwar and RayTheBoffin Combine Flawlessly on Collaborative EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Riding the Storm” Review: What Does Africa’s Response to COVID-19 Teach Us?
Uchenna Awoke’s “A Siege of Owls” is a Masterpiece About Nigeria’s Volatility
“The Termite Colony” Review: Ike Okonta’s First Novel Bears Witness to the Making of Nations
Understanding Colonial Lagos: Seven Books to Read
Chika Unigwe’s “Grace” Exposes the Line Between Wanted and Unwanted Pregnancy
“Jollof Rice and Other Revolutions” Review: Omolola Ijeoma Ogunyemi’s Debut Is a Triumph of Voice Storytelling
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Culture
Undoing the Knots Society Tied in Your Mind
Whose Name Do You Bear? The Politics of Surnames and the Erasure of African Women
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria’s Class Problem and the Nepotism Debate
Why African Men Are Finally Embracing Skincare
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Africa at the 2025 FIFA Club World Cup
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
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Explainers
How Fuji Music Influences the Modern Afro-Pop Soundscape
All the Scoop on Samson Dauda, the 2024 Mr Olympia Winner
How Gamification Can Make Technical Learning Fun for African Students
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
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Fiction & Poetry
“Mine Too Counts” Review: Agbeye Oburumu Gives Voice to the Pains of the Nigerian Masses
“I Give You Softness” and Other Poems | By Olobo Ejile
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems | By Salama Wainaina
Dearth Warning Signs | Poem By Peace Ogunjemilua
Three Poems | By Olamoyegun Noah O
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