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14 Books for Anyone Trying to Make Sense of Nigerian Democracy
In Conversation: Obase-Sam Ikoi Reflects on Writing “The Comedian’s Diary” and the Necessity of Hope
“Out of Sight – Out of Mind: Volume 1” Review: Ycee Expresses Stylistic Yin & Yang on New Album
Features & Essays
The Long Retreat of East African Conscious Music
Thinking Through Christopher Okigbo’s Words
Why Nollywood Has Stars but No Movie Stars
Why Do Nigerians Pray So Much?
Kwani? To Qwani: The Layers of 21st Century Literary Time in Kenya
The Consolation of Poetry
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Interviews
AFRIFF 2025: In Conversation With Kalu Oji and Okey Bakassi, Writer-Director and Lead Actor of “Pasa Faho”
“Nairobi Is a City Where Literature Thrives”: In Conversation With Alexander Nderitu, Africa’s First Digital Novelist
BFI London Film Festival 2025: In Conversation With Vincho Nchogu and Josh Olaoluwa, Director and Producer of “One Woman One Bra”
“Creators Have Been Blessed With An Opportunity To Start Conversations”: Wale Davies on Writing “My Father’s Shadow”
“I Write Because I Have to Tell the Story”: In Conversation With Oyin Olugbile on Her Nigeria Prize for Literature Shortlist, “Sanya”
“It’s People You Belong To Rather Than Places”: In Conversation With Nikki May on Her Nigeria Prize for Literature Shortlist, “This Motherless Land”
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Film & TV
“The Creek” Review: Toka McBaror’s Niger Delta Thriller Has the Right Setting and the Wrong Convictions
How Film Incubators Are Transforming Talent Development, Financing and Market Access in African Cinema
Kagiso Samuel Leburu on Telling a Story of Silence, Power, and Female Oppression in “Balaclava”
“Aba Blues” Review: Jack’enneth Opukeme’s Unconventional Style Can’t Fix Conventional Nollywood Storytelling
“Headless” Review: Michael Ndiomu’s Debut Feature Diagnoses Nollywood’s Rot Without Fully Escaping It
15 Women Who Have Shaped Nigerian Film Journalism
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Music
“And Everything In Between” Review: Kotrell Examines Love and Life on Sophomore Album
“Echoes of Botanical Gardens” Review: Zakes Bantwini & Skye Wanda Explore Narrative Electronica on New Album
Afrocritik Music Spotlight: Different and Fresh
Inside the Mind and Legacy of DJ Jimmy Jatt
Zeenobwoy Taps Into Afrobeats’ Rich Material on the Love-Led “Sweet Body”
“Oasis” Review: Brenique Offers a Soulful, Faith-Rooted Offering on Debut EP
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VIDEOS
Welcome to our YouTube Channel
Books
“Jollof Rice and Other Revolutions” Review: Omolola Ijeoma Ogunyemi’s Debut Is a Triumph of Voice Storytelling
The Legacy of Jonathan Kariara, Kenya’s Foundational Poet and Editor
Literary Merit or Not: Nigerian Publishing and Gemspread’s Attempt
Of Cities and Ancestors: A Review of “The Naming” and “African Urban Echoes”
“Poetry Has All My Pain” and “Love Through the Eyes of a Village Boy” Review: Vic’Adex Twin Collection Finds Tension in Parental Absence and Love
Afrocritik’s Most Anticipated Books of 2026
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Culture
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria’s Class Problem and the Nepotism Debate
Why African Men Are Finally Embracing Skincare
To Sacrifice for Love: A Case for the Beauty of Marriage
Can Crime Reporting Apps Increase Police Responsiveness in Africa?
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Has the African Football League Gone Ghost?
Unity Cup 2025: New Squads, Old Rivalries, One Cause
Why Are East Africa’s Best Athletes Competing for Other Countries?
The 2025 CAF U-20 Africa Cup of Nations: Competition Review, Standout Players, and Finals Preview
Basketball Africa League Season 5: Race for the Playoffs
African Excellence at the 2025 Diamond League
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Explainers
FASU 2024: Scholars Compete, Cultures Converge in Lagos
Bongo Flava: The Evolution of East Africa’s Soundtrack
Examining the Role of Cold Chain Storage Facilities in Reducing Nigeria’s Post-harvest Losses
The Art Behind the Music: Why Album Covers Matter
The Power and Essence of Album Rollouts
AI Voice Cloning Scams: How to Protect Yourself
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Fiction & Poetry
“Àtìpó: The Stranger I Have Become” and Other Poems | by Olamoyegun Noah O
Two Poems | By Salama Wainaina
Dearth Warning Signs | Poem By Peace Ogunjemilua
Three Poems | By Olamoyegun Noah O
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
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