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Documentary Spotlight: “Hidden Scars”
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures
“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
Features & Essays
The Success of “Sinners” at the Nigerian Box Office: Five Lessons for Nollywood
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
The Obscured Realities in Shegun Oseh’s Smokescreen Images
The Complex Relationship Between Football and Gambling
NYrobi BookFest 2025: Exploring the Shifting Currents of Kenyan Literature
Nollywood Needs NollyTube, But Does NollyTube Need Our Brains to Be Turned Off?
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Interviews
Tolani Is Creating Music on Her Own Terms
Dhee Sylvester: The Designer Revolutionising Nigerian Book Covers
In Conversation: 4Mr Frank White Talks Sound, Identity, and Evolution of East African Afro-Swing Rap
In Conversation: Victor Ugoo Njoku Talks “This Is Love”, Reclaiming Agency, and Representation in Nollywood
The Manifesto of M.anifest: New Roads, Same Genius
Kenyan-Nigerian Producer, Afamefuna Onyebadi, Talks Debut EP, Creativity, and Music Production
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Film & TV
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Noise or Attention: What Really Sells Nollywood Films?
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation
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Music
“Lifestyle” Review: Balloranking Brings His Street-Pop Sound to an Amapiano-Driven EP
Afrocritik Weekly Music Spotlight: Potential Showcase
“Not Guilty” Review: Terry Apala Celebrates Freedom on Compact EP
Afrocritik Weekly Music Spotlight: Soul & Groove II
“444PLAY” Review: Minz’s New EP Explores a Breezy Expansion of His Eclectic Pop Textures
“Black Star” Review: Amaarae’s Boldness Finds Energetic Expression on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
“The Parlour Wife” Review: Foluso Agbaje’s Novel Is a Vital Contribution to Historical Fiction
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
“Little Rot” Review: Akwaeke Emezi’s Novel Confronts The Performance of Morality
“Only Big Bumbum Matters Tomorrow” Review: Damilare Kuku’s Novel Addresses Body Politics, Biases, and Femininity
The Life and Political Imaginations of Ngũgĩ wa Thiong’o
“Ujana” Review: Frank Njugi’s Chapbook Is a Portrait of Youth, City, and Self
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Culture
10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
The Rise of Live-streaming in Nigerian Music Marketing
The Complex Relationship Between Football and Gambling
How Smart Waste Management Solutions Can Solve Africa’s Garbage Crisis
The Podcast Boom in Nigeria: An Era of Noise or Knowledge?
Top 10 Gyms in Lagos and Abuja
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
World Athletics’ DNA Testing: How New Gender Rules Impact African Athletes
Is It Time to Ban Libya From Hosting African Football Games?
Transformation in South African Cricket: Can Quotas Ensure Both Fairness and Excellence?
How IFAB’s New Eight-Second Rule Could Reshape African Football Tactics
How Tems’ Stake in San Diego FC Bridges Music, Culture, and Sports
How Intra-Continental Cross-Border Coaching Appointments Are Redefining African Football
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Explainers
Ranking AFCON Host Performances in the Past Decade
8 Interesting Facts About Cameroonian Fighter, Francis Ngannou
8 Common Cyber Attacks to Know, and How to Protect Yourself
The Menace of Cyber Attacks: What to Know About Phishing and How to Protect Yourself
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Fiction & Poetry
“Ancestry” & “The Cathedral” | Poems by Chimezie Umeoka
Two Poems by Doreen Masika
In Your Image | Poem by Tuke Ronald
Looking For Cloudberries In Onipanu, Or When You Fall Out Of Love
Three Poems | By Saadatu Uzairu
Two Poems | By Muhammad M Ubandoma
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