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“Finding Optel” Review: A Tender, Uneven Portrait of Ordinary Lives and the Quiet Radicalism of Small Stories
Africa International Film Festival (AFRIFF) Returns for 14th Edition + Full List of Selections
“Time After Time” & “Buy Her an Air Fryer” | Poems by Sheila Ngei
Features & Essays
The Nollywood Mystery Thriller: Sometimes It’s Elementary, and Sometimes There’s None
The Politics of Cooking and Traditional Roles in the Nigerian Family
Why AI Misinformation is a Serious Threat to Elections and Democracy
What the African Continental Free Trade Area (AfCFTA) Could Mean for Africa’s Creative Industry
FESPACO: An Enduring Role in Promoting African Cinema
Brymo, Macabre, and Reconciling with the Art of Controversial Artists
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Interviews
“Every Day Presents Another Angle to Approach My Music”: DumomiTheJig, the Artiste in His Debut Year in the Music Scene
“When It Comes to Lovesongs, Nobody Can Touch Me”: Joeboy, in Conversation with Afrocritik
“I Learnt to Let the Story Lead”: Nigerian Filmmaker, Wingonia Ikpi, on Producing the Crime-Comedy, “Bank Alert”
The Ingenuity of Mr Eazi: An Exclusive Interview with a New Era Connoisseur for Art and Talent
“‘Proof of Life’ Is a Rebirth for Me”: Skales Speaks on His Latest Project with Afrocritik
“Versatility Helps, But Perseverance is Key”: Nigerian Actor, Eso Dike, on Breaking into Nollywood
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Film & TV
The Biggest Snubs and Surprises of the 2025 AMVCA Nominations
“Finding Me” Review: Funke Akindele’s Mistitled Dramedy Struggles With an Identity Crisis
“Suky” Review: Ola Cardoso’s Prison-Set, Revenge-Themed Sports Drama Is Tepid
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
The Annual AMVCA’s Category Problem: Should TV Productions Be Competing with Films?
“Fine Girl” Review: Fatimah Gimsay’s Film Is a Subversive Take On Modern Harassment and Female Empowerment
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Music
Afrocritik’s Weekly Music Spotlight: Soulful Rhythms
“Wa Jo Pa” Review: Bad Boy Timz Leans Into His Strengths on Lively Sophomore Album
“Addiction” Review: Jay Melody Stakes His Claim in Bongo Flava’s Hall of Fame
Afrocritik’s Weekly Music Spotlight: Mellow May
“Journey Through Life” Review: Femi Kuti’s Album Confronts Nigeria’s Political Realities
“Gen Z” Review: Zinoleesky Treads Familiar Ground on New Album
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VIDEOS
Welcome to our YouTube Channel
Books
Teju Cole, Marie Ndiaye, Romeo Oriogun, Shortlisted for 2023 NBCC Awards
“Winning the James Currey Prize Might Represent My Coming of Age as a Writer”: In Conversation with 2023 Prizewinner, Peter Ngila Njeri
Spotlight on African Voices as British Science Fiction Association Awards (BSFA) Unveils 2024 Longlist
Afropantheology and the Future of African Speculative Fiction: A Conversation with Oghenechovwe Donald Ekpeki
Akwaeke Emezi’s Latest Novel, “Little Rot” Set to Hit Shelves in 2024
Africa’s Most Anticipated Books of 2024
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Culture
Here Are Six Ways To Properly Spend a Weekend In Africa’s Busiest Cities
Here Are The Five Most Serene Nigerian Cities To Live In
How The Baba Ijesha Case Accurately Illustrates The Attitude Of Nigerians To Rape Allegations
Has Oral Tradition In Africa Gone Extinct?
Chioma Ajunwa: Is Her 25-Year Wait A Symptom Of A Fractured System?
Have Africans Failed To Properly Curate Their Own History?
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
AFCON 2023: The Differential Teams That Made History
AFCON 2023 Semi-Finals: Nigeria vs South Africa, History, Trade, and Rivalry Beyond the Pitch
Tobi Amusan Breaks African Women’s Indoor Record in 60-Metres Hurdles at New Balance Indoor Grand Prix
Favour Ofili Sets History at the 2024 New Balance Indoor Grand Prix in Boston
AFCON 2023: Quarter-Finals Preview
AFCON Group Stage Drama: Managerial Setbacks, Sackings, and Club Struggles
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Explainers
Fiction & Poetry
of memories, moments & manhood | Jaachị Anyatọnwụ
After The Giant Greenlights, Nothing Here Is Worthy Of Symphony? | Psalmuel Benjamin
Tochi Lives | Ubong Johnson
The Last Rule of Theft | Oluseye Fakinlede
Planes and Plains | Ugochukwu Anadị
Burning Bodies | Chourouq Nasri
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