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AFRIFF 2026 Dispatch: “Slum Bomber”, “Bad Blood”, and “Hadda” Make for Uneven But Entertaining Cinema
In Conversation: Sahra Noor on “Salt in the Snow”, Remembering the Past, and Chronicling Family History
Faraaz Mahomed’s “Mother/Land” Is Haunted by the Relics of History
Features & Essays
Enugu Photo Festival: Architectural Ruins and the Death of Preservation
How Perliks Became Nigeria’s Most Story-Driven Music Video Director
How Should We Read? Akpata Magazine and the Reading Debate
The Cuts of Speaking Truth in Nigerian Cinema
How Wizkid Redefined Nigeria’s Sonic Landscape With “Made In Lagos”
Has Nigerian Hip-Hop Found Its Mojo Again?
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Interviews
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”
“Readers Will Bring All Kinds of Meaning to Your Work”: Uche Okonkwo, In Conversation with Afrocritik
Idowu Odeyemi’s New Theory of Disgust: He Thinks What You Say Can Be Disgusting
Loud Urban Choir Is Redefining Choral Music in Afro-Pop
Billboard-Honoured Lawyer, Akinyemi Ayinoluwa, Talks Music Law, African Excellence, and Creative Rights
Blinky Bill: East Africa’s Quiet Radical
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Film & TV
Tribeca Festival 2026: In Conversation with Dian Weys on “Vultures”, Capitalism, and Moral Responsibility in the Aftermath of Violence
“Ìwé Àlà: An Ojude Oba Story” Review: Adeoluwa Owu Captures the Ojude Oba Beautifully But Surrounds It With a Story That Can’t Keep Up
In Conversation with Saïd Hamich Benlarbi on His Cannes-Selected Docu-Drama, “In Search of the Grey Bird with Green Stripes”
Tribeca Film Festival 2026: Mohamed Taher Talks Fatherhood, Vulnerability, and the Conversations We Avoid in “32B”
10 African Films About Brotherhood and Male Friendship
Tribeca Film Festival 2026: “Jail Time Records” Turns a Cameroonian Prison Into the Most Unlikely Stage in the World
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Music
“I Am Bigger” Review: DarkoVibes Misses The Mark with New Album
“Never Thought I Could (Part 1)” Review: Lloyiso’s Artistry Uplifts on Debut Album
Afrocritik’s Music Spotlight: Big Emotions
Royalties 101: How Music Actually Makes Money
“Love Stray” Review: Brilliant Braye Strikes Again With Expressive New EP
Jubed Is Expanding the Sound and Vision of Ghanaian Pop
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VIDEOS
Welcome to our YouTube Channel
Books
“Cursed Daughters” Review: Oyinkan Braithwaite’s Sophomore Novel Explores Superstition, Matrilineage, and Intergenerational Trauma
“Will This Be a Problem? The Anthology: Issue V” Review: Speculative Cartographies Map the New African Imagination
“Dilemma of an Outcast” Review: Anih Emeka’s Debut Novel Interrogates Bigotry but Falters in Its Attempt at Storytelling
The Many Pleasures in Absurdity: A Review of Jesutomisin Ipinmoye’s “How to Get Rid of Ants”
“Bitter Honey” Review: Lọlá Ákínmádé Åkerström Explores Generational Trauma and Its Effect on Matrilineal Connection
“A Meal Is a Meal” Review: Nnamdi Anyadu’s Collection Serves a Balanced Plate of Pleasures
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Culture
Nigeria Cinema Day and the Marketing Hurdles Holding Back Nollywood
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
Kingsley Ayogu’s “If Hives Could Dance in Colours” Is a Poetic Exploration of Life and Memory
Xenophobia Blues and the South African Complex: Is the Dangerous Politics of Nazism on the Rise Again?
Wonu Osikoya Documents Afrobeats History From a Fresh Perspective With “Grime, Glory & Afropop”
Art, Culture, and Community: The Spirit of the Second Edition of the Umuofia Arts and Books Festival
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Fashion
AMVCA 2026: The Best Celebrity Red Carpet Looks of the Night
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Met Gala 2026: How African Celebrities Showed Up on Fashion’s Biggest Stage
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2026 Grammy Awards: How African Celebrities Brought the Fashion Heat to the Red Carpet
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2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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Sports
Addressing a Widespread Crisis: Gender-Based Violence in Kenyan Sports and Beyond
2024 Paralympics: How African Nations Fared at the Paris Games
Super Eagles and the Foreign Coach Conundrum: A Step Forward or Backward?
Paralympics 2024: Can Egypt Get Back to Winning Gold in Paris?
Nigeria’s Paris 2024 Olympic Failure: Who’s to Blame?
Egypt vs. Morocco Preview: North African Rivals Face off for 2024 Paris Olympic Football Bronze
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Explainers
Fiction & Poetry
Two Poems | By Excel Chinagorom Michael
Three Poems | By Victor Chịmbọ
Three Poems | By Salama Wainaina
Three Poems | By Emmanuel Somtochukwu Ferdinand
Conversations With Strangers | Fiction By Lydia Mutuku Nzilani
Three Poems | By Muheez Olawale
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