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Busta Rhymes, Juma Jux, Bella Shmurda Lead Lineup For Detty December Fest 2025 in Lagos
ENIFF 2025: Gaëlle Le Roy Chronicles a Decade of Youth Resistance in “Afrikki”
In Conversation: Nnamdi Kanaga Explores Liaising With The Supernatural in “Water Girl”
Features & Essays
BBL Comedy Box: Showcasing South-Eastern Nigeria’s Comic Brilliance
What Has Happened to Igbo Language Novels?
Too Early for Birds Chronicles Tom Mboya’s Legacy with Wit and Heart
The Legacy of Loss | Nonfiction by Damilola Olaniyi
What Is the State of Nigeria’s Natural Parks and Game Reserves?
Which African Author Will Win the 2024 Nobel Prize in Literature?
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Interviews
In Conversation: How Nezsa is Soul Searching and Finding Clarity Through Music
Afrobeats Royalty: Tekno, On Growth, Abundance, and New Opportunities
Courage Obayuwana: A Versatile Talent Who is Mastering Filmmaking With His Debut Directorial Feature, “Kill Boro”
Liboi: The East African Folk Artiste Pushing the Boundaries With African Indigenous Music
In Conversation: Aisosa is Nigeria’s Newest Lover Boy and R&B Champion
In Conversation: Bowman Aremwaki, the Ugandan Artiste with a Universal Musical Language
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Film & TV
“Zikoko Life” Review: The Unwavering “Female Happiness” Agenda of BluHouse and Big Cabal’s Anthology Series
“Marked” Review: The South African Netflix Series Is a Devastating Portrait of Moral Desperation
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
“Catalog” Review: The Egyptian Netflix Series Is Quiet But Speaks Volumes
“To Kill a Monkey” Review: Kemi Adetiba’s Exciting Crime Thriller Series Is a Lesson in How Not to Tell a Story
“The Lost Days” Review: Wingonia Ikpi’s First Feature Starts Strong but Crashes Halfway into the Journey
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Music
“Captain” Review: BNXN’s Sophomore Album Is a Steady Voyage Through a Familiar Soundscape
“Lagos Lover Boy” Review: Ric Hassani Crafts a Cohesive Portrait of Urban Romance
Afrocritik Weekly Music Spotlight: Easing In
“The Prince of the Street” Review: Ayo Maff’s Strongly Themed Debut Still Needs More Range to Soar
“GE3 (The Beginning)” Review: A-Q Closes His Trilogy With Precision and Purpose
Afrocritik Weekly Music Spotlight: Subtle Twists
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VIDEOS
Welcome to our YouTube Channel
Books
Finding Freedom: Aké Arts and Book Festival Returns with a Focus on Diverse Voices
“The Most Secret Memory of Men” Review: Mohamed Mbougar Sarr’s Book Engages with the Complexities of Literary Critique
“After the End” Review: Olukorede Yishau’s Book Explores Betrayal and Trauma in Fine Detail
“Face Me I Face You” Review: Oyindamola Shoola Uses Unconventional Poetry to Explore Nigerian Communal Life
“Tearless” Review: Ayo Deforge’s Novel Explores Self-Discovery, Trauma Resolution, and Love
Macondo Literary Festival 2024: A Celebration of the History of the Indian Ocean Worlds
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Culture
“New Year, New Blessings”, and the Obsession With New Year Prophecies and Declarations
Africa’s Iconic Pop Culture Moments of 2023
Exploring the Rhythms of Africa: 5 Traditional Dances From Across the Continent
In Memory of Imole: A 10-Track Mohbad Playlist You Should Listen To
Five Colourful Festivals Across West Africa
Hair Fetish Has Come a Longer Way Than We Know. It Is More Complex Than We Assumed
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Fashion
2025 AMVCA: How the Stars Lit up the Night With Style
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10 Celebrities Who Slayed the 2025 AMVCA Cultural Day
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What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
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Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
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10 African Fashion Events to Watch Out for in 2025
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Sports
African Basketball in Paris: South Sudan and Nigeria Face Formidable Olympic Hurdles
Paris 2024: Tobi Amusan and the Olympic Dream
Kaylia Nemour: Africa’s Hope for a First-Ever Olympics Gymnastics Medal
Biniam Girmay: Breaking Barriers as the First Black African Tour de France Champion
Why African Athletes Need Strong Public Relations
Who Really Benefits From the International Players’ Multiple Allegiances in Football?
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Explainers
Fiction & Poetry
Smile, Stranger | Daniel Echezonachi Maxwell
Three Square Meal | Obongofon Etuk
1929 | Chinemerem Prince Nwankwo
Eye | Ogah Friday David
The Translator | Karen Jennings
You Win in This Fight, Against God | Okorie Divine
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