Film and TV

Emotions, Depth, and a Stellar Cast Take Front Row in Daniel Ademinokan’s “Gone”

Emotion is clearly the driving force of this film — pure and genuine — held…

Hide ‘N’ Seek and its Decent but Inadequate Effort to be Different

The movie gains extra points for its stylish presentation of its acts as chapters, its…

“Shadow Parties” Jumps Too Many Steps in the Wrong Directions

Dr. Ian Stones says in the film that, “The road to hell is paved with…

Kunle Afolayan’s Adaptation of Sefi Atta’s “Swallow” Could Have Been More Powerful

Swallow is a historical drama, but its story is not dependent on any significant event…

Imaginative, Stimulating And Thrilling – Further Consideration Of Kemi Adetiba’s “King Of Boys: The Return Of The King”

By Michael Kolawole  King Of Boys: The Return of the King, a seven-part Netflix limited…

Movie Review: Kemi Adetiba’s “King Of Boys: The Return Of The King” Is Enjoyable, But It Lacks Bite

By Vivian Nneka Nwajiaku King of Boys, Kemi Adetiba’s crime drama, made great impact on…

#Throwback Movie Review: Moses Inwang’s “Body Language” Is Captivating, Suspense-Laden Drama

By Jerry Chiemeke Released in 2017 by the Royal Academy in collaboration with ROK Studios, Body…

Seyi Babatope’s “When Love Happens” And Nollywood’s Approach To Romance Stories

By Michael Chiedoziem Chukwudera Many Nollywood films of today, especially the ones made available for…

Lancelot Oduwa-Imasuen’s “August Meeting” And The Cultural Relevance Of An Annual Convergence

By Michael Chiedoziem Chukwudera One of the finest achievements of Nollywood over the decades is…

Movie Review: Izu Ojukwu’s “76” Excels As A Period Piece With A Knack For Detail

By Vivian Nneka Nwajiaku It is often said that Nigerians don’t know their history. Many…