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charge and bail
“Charge and Bail” Review: Inkblot’s Courtroom Drama is a Legal Comedy in Every Sense

What Charge and Bail really is, is a legal comedy. And I mean that in…

AKO Caine Prize
Afrocritik’s Joshua Chizoma, and Four others Shortlisted for 2022 AKO Caine Prize

By Michael Chiedoziem Chukwudera Joshua Chizoma, winner of the 2020 Awele Creative Trust for fiction…

umuada
The “Umuada” is Striking Newer Chords in Cultural Dynamism and Feminism in Igboland

As a result of globalisation, the Umuada has broken into units and expanded all across…

LGBTQ+
10 Activists in Africa and the Diaspora Changing the LGBTQ+ Narrative

By Sybil Fekurumoh At present, there are only about 29 countries that recognise same-sex marriages…

Arinze Ifeakandu
A Public Space Releases Arinze Ifeakandu’s God’s Children are Little Broken Things

By Michael Chiedoziem Chukwudera Arinze Ifeakandu has released his debut book, a collection of short…

Dami Ajayi
Dami Ajayi, and the Mission of Creating Unending Voices

In April 2022, Dami Ajayi published his third volume of poems, Affection and Other Accidents.…

Ifé
Ifé: A Singer, Philosopher, and Storyteller of Ancient Breed

Ifé infuses ancient Igbo philosophy and folklores, complete with their aesthetics, into her music. When…

The wildflower
“The Wildflower” Review: Biodun Stephen’s Winning Streak Continues in New Film About Gender-Based Violence

The film’s(The wildflower) mostly well-written screenplay exposes Nigeria’s rape culture, exploring the perceived normalcy of…

Theta
In “Theta,” Brymo Births Another Soundtrack of Solace

With every deeper encounter, Theta provides a reassuring feel of genius, its only apparent flaw…

stretch marks
Should African Women Still be Ashamed of Their Stretch Marks?

In 2018, the Ghanaian Immigration Service banned recruits who had stretch marks from participating in…