Our top 100 African songs list spans the diverse sonic landscapes of the continent, highlighting remarkable songs that have left a significant mark.
By Afrocritik’s Music Board
African music, propelled by the emergence of social media and the digital streaming market, has catapulted to unimaginable heights. This has evidently resulted in spotlighting both seasoned and emerging stars from every corner of the continent.
Coupled with movements such as Afrobeats to the World—a quest to push and make significant inroads into global markets—this rise has been rewarded with inclusion in global awards frameworks, cross-continental commercial success, and sold-out arenas for our artistes.
In 2024, African music has made such a significant imprint on the global music scene that it has become increasingly difficult to maintain our usual standard of shortlisting just 50 top songs. As a result, we have decided to extend our list of top African songs to 100, in order to accommodate and reward more tracks that have made an impact this year.
Afrocritik’s 2024 top songs list spotlights talents ranging from well-established names like Ayra Starr, Rema, Tyla to acts like AratheJay, Onesimus, Anaïs Cardot, and Nandy, who may be relatively unknown.
Our list spans the diverse sonic landscapes of the continent, highlighting remarkable songs that have left a significant mark. It embodies the true essence of African music, covering genres such as Amapiano, Afrobeat, Afro-pop, Bongo Flava, R&B, Hip-hop, Ragga, Alté, Soul, Dancehall, Afro-jazz, and Traditional Folk Music.
100. “Biri Marung” – Pilato, Ego Slimflow & Tebogo G Mashego (feat. Sje Konka, DJ Maphorisa, Focalistic) (South Africa)
An instant crowd favourite, “Biri Marung” quickly became the muse for some of the best dance challenges on TikTok late this year, dominating the Amapiano scene in its short time since release.
An interpolation of Spikiri’s iconic “Gangster Party”, the track’s infectious rhythm is elevated by Focalistic’s standout verse, ensuring its place as a potential classic alongside staples like “Mnike” and other beloved Amapiano anthems. – MH
99. “Cardio” — Trappy Beats (feat. Cizzle) (Malawi)
The rich experience accrued by young Blantyre-based audio producer and musician, Trappy Beats, came to life in “Cardio”. Trappy Beats is renowned for his collaborations with luminaries of the South Eastern African music scene (Nimix, Piksy, Third Eye, Jay Hood, and Gemini).
Yet, in this latest creation, he shifted his gaze inward, drawing inspiration from more familiar rhythms of home as he joined forces with his brother, the singer-songwriter and beatmaker, Cizzle.
Together, the dynamic Ngalande brothers duo crafted a sonic experience, where the pulses of synth leads, the soft whispers of airy pads, and the lush embrace of keys converged in “Cardio”, as a track that beats to the rhythm of Amapiano, paying tribute to the cultural heart that is the soul of the region. — Frank Njugi
98. “Outra Vez” – Anna Joyce (Angola)
Angolan Kizomba singer, Anna Joyce, off her album, A Peça, decries unrequited love and heartbreak in this sultry tune, “Outra Vez”. Known as a virtuoso of the Kizomba sound, Anna in “Outra Vez”, delivers one of the stand out tunes of the genre this year, as she combines distinctive vocals to the ever sensual beats that Kizomba provides. – MH
97. “Uptown Disco” – Olamide (feat. Asake & Fireboy DML) (Nigeria)
Veteran Nigerian rapper, Olamide, teamed up with protégés: Fireboy DML and Asake, to deliver this fast paced, club banger, “Uptown Disco”.
Reminiscent of his effervescent album run from Rapsodi to Lagos Nawa, this action packed tune is laced with Fireboy DML’s delightful vocals and Olamide’s signature flow. Asake, arguably Nigeria’s most potent Pop star lately, rounds this off with a spectacular verse, leading up to one of the standout tracks in the Afro-Pop scene this year. – MH
96. “Oghene” – Bella Shmurda (Nigeria)
On “Oghene”, Bella Shmurda assembles a powerhouse trio alongside Zlatan and Jeriq to craft a stirring ode to resilience.
Bella’s gripping chorus—“Ahh abobi no go tire, ahh abobi just dey fire. Mugbo lati Ghana wo Canada”—is steeped in raw emotion, with eastern-inspired instrumentals amplifying its anthemic quality.
Zlatan’s catchy ad libs and high-octane delivery inject a boundless energy into the track, while Jeriq’s booming cadence adds a grounded edge. — Abioye Damilare
95. “Okay” – Magixx (Nigeria)
Known for his dexterous tone and vocals, Mavin’s star, Magixx, had a busy year with features and singles, one of which is the February 24 released “Okay”, where the singer tackled life’s pressures amidst the reassuring refrain of wellbeing.
One of Magixx’ significant moments this year, his fans were not sold short on expectations as the crooner delivered as masterfully as he is reputed for, with matching finesse. A fitting and relatable anthem, “Okay” marked a strong moment for Magixx this year. – MH
94. “Bundle by Bundle” – Burna Boy (Nigeria)
Nigerian Afro-Fusion superstar, Burna Boy, after having what some may call a bit of a relaxed year with releases by his standards, returns with “Bundle by Bundle”, an energetic, celebratory tune made for festivities and club scenes.
With usual elements of braggadocio in theme and deft flow, the Port Harcourt born maestro glides vivaciously on this track, showing no signs of decelerating in his artistic verve anytime soon. – MH
93. “Polo” – Kemuel (Nigeria)
In one of Nigeria’s finest Singles by a breakout star this year, Kemuel who announced his presence through an EP, Clouds, released “Polo”, one of such tunes which has the potential of becoming a paper trail for a young artiste years deep in his career.
Here, Kemuel sings about his enchantment to a love figure, with endearing and hypnotic lyrics, marking a pleasant introduction into the Nigerian Pop scene. – MH
92. “Like Ronaldo” — A Pass ( Uganda)
Emerging from the bold and expansive 42-track album by A-Pass, Bagonza, “Like Ronaldo” stood as a musical tribute, its title drawn from the legendary Cristiano Ronaldo, symbolising A-Pass’ own mastery of sound.
Much like the footballer’s precise footwork on the field, every note in the track mirrors the artiste’s own craft, a dance of rhythm and skill that speaks to his command over music.
With its infectious Afrobeats rhythm, “Like Ronaldo” was a sonic embodiment of the entire Bagonza album; how the project’s beats and melodies captured the spirit of Afrobeats, echoing the profound influence this genre has imprinted on modern Uganda’s popular music and the Kindadali culture of the 2020’s. – Frank Njugi
91.“Black on the Keyboard” – Blinky Bill (feat. Mikel Ameen) (Kenya)
We Cut Keys 2 was an album ensconced with a magnetic rhythm, the melodies in each song mirroring the very fabric of Blinky Bill’s signature sound. It marked the bold resurgence of a pioneer in Kenya’s Alternative music scene.
The album’s opening track, “Black on the Keyboard”, saw Nairobi’s own legendary UK Grime artiste, Mikel Ameen, take centre stage. The song’s beat, jagged and electrifying, crackles, fueling a surge of unstoppable energy. Mikel’s delivery slices through the sound like a sharpened blade, his lyrical flow an undeniable echo of the fierce, unrelenting vibe of UK Grime. – Frank Njugi
90. “Juju” – FAVE (Nigeria)
In quite the eventful year for Nigerian Afro-Pop star, Fave, which had her pen a major record deal and saw her drop a second EP, Dutty Love, “Juju”, is one of the standout tracks on her project, as she sings about a mesmerising romantic interest, whom she reminisces thoroughly about.
One of the seven tracks off Dutty Love, “Juju” signals the start of a definitive era for the songstress. – MH
89. “Scared” – Joshua Baraka (Uganda)
The song, “Scared” was the jewel of Recess, Joshua Baraka’s latest EP. In the song, he stood at the crossroads of his heritage, with roots that run deep yet tremble under the weight of uncertainty. He unfurled his heart, acknowledging the fear that his voice might fade into the vast expanse of the unknown.
The song swayed, carried by a synthetic piano melody, casting a mood more than painting a landscape. Its lyrics didn’t anchor themselves to any particular moment or place, but instead invited listeners into a quiet space of reflection, where Baraka stripped away the layers and exposed his raw, inner truth.
“Scared” mirrored the essence of Joshua Baraka’s identity. His music doesn’t scream of grand declarations, but whispers in subtle tones of universal thoughts and quiet fears that everyone can feel. It’s not the bold, visible things that define him, but the everyday moments. – Frank Njugi
88. “Toxic” – Young Lunya (feat. Abigail Chams) (Tanzania)
Young Lunya stands as a master narrator of Bongoland’s stories through his words, each narrative a thread of its own, that weaves him into the fabric of East Africa’s finest emerging Hip-Hop voices.
But in his 2024 debut album, Mbuzi, it was the track “Toxic” that shimmered. An R&B-infused collaboration with Tanzanian multi-instrumentalist, Abigail Chams, the song unfolded with a subdued melody, whispering bass synths, and trembling piano keys.
Together, Abigail and Lunya sang the bittersweet truth of love’s elusiveness, the delicate balance of desire and fragility.
“Toxic” marked a revelation of Lunya having the understanding that Bongo’s influence is not a singular, rigid sound, but a swirling ocean of diverse melodies and influences. – Frank Njugi
87. “Queen N More” – Shoday & Batife (Nigeria)
Young Street-Hop singer, Shoday, enlists Batife on this one, as the Afro-Adura crooner dedicates this tune to a lady, whose features he extols resplendently.
“Carry my shirt and go, carry my money go”, he refrains, making “Queen N More” one of the street ruling romantic ballads of 2024. – MH
86. “Sokoto” – Beri Boyz Club (Cameroon)
Douala-based Beri Boyz Club teamed up with ORock, Djibrilzer, Hooker, and Tasse on this one, as they employed French and English lines in declaring emphatic hustle statements, ambition, and grit in “Sokoto”.
You hear the “Dollar, CFA, Pounds, Gold” refrain repeatedly on this track as they continually remark on their ambition and why the hustle never ends.
One of the prodigious tunes out of Cameroon this year, Beri Boyz Club clearly made a statement with this release and their eponymous EP, Beri Boyz Club. – MH
85. “Folake” – Taves (Nigeria)
Off his debut EP, Are You Listening?, BNXN’s protégé and breakout star, Taves, released this heartfelt ballad, “Folake”.
“I’ve been talking to Folake, she know me now; the conversation going too clear phenomena”, sings Taves as “Folake” stands as one of 2024’s notable joints, indeed. This R&B cut is definitely a signature tune for the youngster who has a luminous future ahead of him. – MH
84. “Toma Toma” – Ruger (feat. Tiwa Savage) (Nigeria)
Fresh off his collaborative project with BNXN, Ruger’s “Toma Toma” with Tiwa Savage bounces off Brazilian Funk as they deliver an Afro-Pop staple in this tune.
Tiwa Savage’s reputation for outstanding features continues on this one, as “Toma Toma” is unquestionably one of Ruger’s gems which could potentially age well into the future. – MH
83. “Phases” — Xenia Manasseh ( Kenya)
As she did in the rest of her Love/Hate Part 2 album, Xenia Manasseh, the Kenyan superstar and soul music artist, delved deep into the shadows of self and love in the single “Phases”.
A drifting muse collided with an emotional Xenia as she searched for answers: “Do you really stick around just ‘cause of pride? (Pride)/ Do you really think you couldn’t love me right?”
The soul that pulsed through this song added a layer of beauty, while the bright guitar served as its unwavering foundation. “Phases” struck a chord with anyone who has ever found themselves lost in the ambiguity of a relationship. – Frank Njugi
82. “Choc City Cypher” – Blaqbonez, A-Q, Loose Kaynon, Ice Prince, Jesse Jagz, & M.I Abaga (Nigeria)
In celebration of Hip-Hop’s 50th anniversary and Chocolate City record label’s 20 years in existence, the “Chocolate City Cypher” stands as a remarkable testament to its legacy.
Blaqbonez’s quips, A-Q’s hard-hitting lyrical punches, Loose Kaynon’s declarations, Ice Prince’s straightforward yet effective lines, Jesse Jagz’s witty bars, and M.I’s razor-sharp wordplay combine to create an outstanding showcase of talent, in one of the best cyphers the continent has seen lately. – Emmanuel ‘Waziri’ Okoro
81. “Are You There?” – Ayo Maff (Nigeria)
Ayo Maff’s “Are You There?” is the beating heart of his Maffian EP, a track that finds the rising street-pop voice baring his soul with stark honesty. Layered over moody production, Ayo chronicles his struggles and triumphs while paying a heartfelt tribute to his late friend, Ojo, whose memory threads through his music.
The song’s power lies in its unvarnished emotion: an ode to brotherhood and resilience that positions Ayo Maff as one of 2024’s most exciting storytellers. — Abioye Damilare.
80. “Villain” – Rema (Nigeria)
Rema’s rise to superstardom has been a testament to grit, determination, and an unwavering focus on reshaping Afrobeats in his own image. The result has come in the form of his sophomore album, HEIS, and particularly evident on “Villain”, where he transforms from an underdog into a self-declared antihero.
Over P.Priime’s layered production, Rema exudes confidence and swagger, offering a vivid commentary on his opulent lifestyle, filled with luxury cars, high-end fashion, and unrestrained indulgence.
“Can’t you see doings?” he challenges his critics, effortlessly riding the track’s rhythm. “Villain” is a standout anthem that resonates deeply with fans of contemporary West African music. – Emmanuel ‘Waziri’ Okoro
79. “Go Go Go” – Zeze Kingston & Leumas (feat. Afana Ceez, Aidfest & Kineo Madness Imnotsteelo) (Malawi)
Zeze Kingston, the Malawian Afropiano maestro, sought to capture the heartbeat of the streets with the release of the third chapter of his mixtape series, For the Streets, and also aimed to paint the essence of Southeastern Africa.
Nowhere is this vision more vividly realised than in the single “Go Go Go”, where Kingston brings to life his creative goal with the help of like-minded Southeastern African artistes, merging their shared sonic spirit into a powerful harmony.
The featured artistes—Leumas, Afana Ceez, Aidfest, and Kineo Madness Imnotsteelo—each bring a brushstroke of individuality, adding their own depth and flavor, while enriching the track with a complex, vibrant resonance. – Frank Njugi
78. “Soh-Soh” – Odeal (Nigeria)
It’s unmistakable that Odeal was making significant waves in the music scene when his single, “Soh-Soh”, sparked numerous challenges on TikTok. However, beyond its magnetic pull, crafted through succinct composition and Odeal’s captivating delivery, “Soh-Soh” underscores his unique artistry.
In this track, Odeal delves into themes of desire, indulgence, and attraction. Drawn to the allure of a love interest, he uses playful flirtation to express his willingness to lavishly spoil her. It’s no surprise that “Soh-Soh” continues to deeply resonate with audiences. – Emmanuel ‘Waziri’ Okoro
77. “O Wé” – H3riq (Cameroon)
Douala born Neo-Soul/R&B artiste, H3riq, uses lush vocals and impeccable tone in delivering this gem in his native Duala tongue mixed with some English.
Reminiscent of an offering from Musiq SoulChild and D’Angelo, “O Wé” is proof that H3riq’s self styled Neo-Soul/Makossa genre is indeed one of reckoning. – MH
76. “Asunasa” (Hold Your Waist) – Oxlade (feat. Wande Coal) (Nigeria)
Nigerian sensation, Oxlade’s debut album, OFA, was a highly anticipated release, long overdue. One of its standout tracks, “Asunasa”, features the legendary Wande Coal, delivering a mid-tempo bop crafted for the dancefloor.
Oxlade and Coal seamlessly showcase their unique vocal artistry, creating a track that is an instant delight and a testament to their exceptional talent. – Emmanuel ‘Waziri’ Okoro
75. “Casablanca” – Shoday (feat. Ayo Maff) (Nigeria)
On “Casablanca”, Shoday and Ayo Maff team up for a gripping Street-Hop anthem that captures the relentless hustle to escape poverty.
With its infectious mid-tempo groove, the track channels the everyday hunger for success, blending Shoday’s smooth delivery with Ayo Maff’s raw lyricism. It’s a 2024 standout, driven by the unshakable desire to rise above and secure a brighter future. – Abioye Damilare
74. “Praise” – AratheJay (Ghana)
“Praise”, from Ghanaian artiste, AratheJay’s project, Finding Nemo Series: The Capsule, is a thought-provoking track that delves into self-awareness and spirituality. Sung in English, West African Pidgin, and Ghanaian dialects, AratheJay candidly explores his personal struggles and his yearning to break free from destructive patterns.
With relatable lyricism and skillful composition, “Praise” stands out as one of 2024’s musical sensations. – Emmanuel ‘Waziri’ Okoro
73. “À Toa” – Chelsea Dinorath (feat. Anderson Mario) (Angola)
Produced by Teo No Beat, “À Toa” flowed seamlessly from where Chelsea Dinorath’s 2023 debut album, Cartarse, left off. It was a continuation of her musical mastery, expanding and refining the sound while keeping the heart of the original project beating strong.
The collaboration with Anderson Màrio was like two instruments in perfect tune, their voices intertwining like, creating a symphony that not only elevated the track but also lifted both performers. – Frank Njugi
72. “Funeral for Justice” – Mdou Moctar (Niger)
Mdou Moctar’s “Funeral for Justice” is a searing statement of purpose that sets the tone for its eponymous album, one of 2024’s most remarkable African music projects.
As the album’s intro and titular track, it channels a raw, unrelenting fury at the postcolonial exploitation of Africa’s resources.
Moctar’s incisive lyrics cut deep, delivering a thunderous critique, but it’s the guitars—urgent, blistering, and unrelenting—that amplify the anger to near-frantic levels. – Abioye Damilare
71. “Hello Sisi” – DoTTi The Deity (feat. Wizard Chan) (Nigeria)
DOTTi The Deity and Wizard Chan dominated 2024 with a string of remarkable projects, but their collaboration on “Hello Sisi” stands out as a surprise hit that few anticipated. This beautifully crafted track showcases the undeniable brilliance of both artists.
DOTTi seamlessly blends English and Yoruba in his verses, while Wizard Chan leans into English to deliver his part. Together, they passionately express their emotions, creating a song that resonates deeply with listeners. – Emmanuel Daraloye
70. “Very Soon” – Fameye (Ghana)
Ghanaian rapper/singer, Peter Famiyeh Bozah, more popularly known as Fameye, gives us a touch of Banku music in this celebratory tune. Fameye impresses with vocals on this one, against groovy danceable beats, producing one of the finest offerings from Ghana this year. – MH
69. “RMD” – Ruger & BNXN (Nigeria)
Ruger and BNXN collaboration is a one-of-a-kind moment where two of the leading new generation Afro-Pop singers explore new ways to alchemise their gifts after their online feud.
Both artistes navigate their verses with precision against mid-tempo Afro-Pop beats to explore their personal growth and resilience. It’s a collaboration that hints at the untapped potential for future artistic synergies. – Abioye Damilare
68. “Popo” – Stormy (Morocco)
At the pinnacle of Morocco’s Hip-Hop, Stormy stands arguably unchallenged. His viral anthem, “Popo”, from the album, Iceberg, is a testament to his reign. This track, a tidal wave of popularity, has not only surged through the charts but has also carved a name into the fabric of music culture.
“Popo” pulses with the vibrant heartbeat of Brazilian funk, yet beneath its infectious rhythm lies a fearless Stormy, bold as a storm, unmasking his truth. With unflinching defiance, he confronts authority, his voice a roar that cuts through the air: “Yeah, fuck la popo, popo, mn gelbi kangolha”.
His gravelly tone sways like a force of nature, woven with the whispers of the Nay flute and driven by drums that pound like a relentless storm, making the song a force too powerful to ignore. – Frank Njugi
67. “Unfortunate” – Tems (Nigeria)
“Unfortunate” sees Tems deliver a poignant reflection on self-worth over tender, pensive strings. Unmoved by a past love interest seeking reconciliation, she flips the script on heartbreak.
With lines like, “Yeah, maybe it’s fortunate you’re unfortunate/ And maybe I’m fortunate that you’re losing me”, she asserts her independence, reminding us all that sometimes, losing something toxic is actually a gain. — Abioye Damilare
66. “Controller” – Onesimus (Malawi)
In 2024, Malawi’s Onesimus became a spark that set the continent ablaze, his single, “Controller”, acting as a beacon that drew the world’s eyes to his artistry.
The song captured the hearts of listeners, and in its wake, a deeper appreciation for his craft blossomed, unveiling the full scope of his talent in works like his EP, I Am Strong.
“Controller” became an anthem of triumph, a sonic flag planted firmly in the Afrobeats landscape, signaling Onesimus’ rise and proclaiming Malawi’s newfound command over the genre. His collaboration with Joeboy on the remix only fanned the flames, sending the song soaring even higher. – Frank Njugi
65. “Dah!” – Nandy (feat. Ali Kiba) (Tanzania)
This year at the age of thirty-one, Nandy, the East African songbird, soared back into the musical skies with her R&B-laced anthem, “Dah!”. In this melodic tale, alongside the Bongo Flava king, Ali Kiba, she pours her heart out, serenading her partner with the warmth of her adoration.
The song’s mid-tempo beat is like a gentle breeze, guiding the listener through a journey. By the time the song’s three-minute melody comes to a close, it’s clear why Nandy is hailed as the princess of the East African music scene.
Her voice is a river of emotion, flowing directly from her soul, painting love with every note. – Frank Njugi
64. “High” – Marioo (feat. Joshua Baraka) (Tanzania)
Off Marioo’s dazzling album, Godson, released in late 2024, “High” rose as the brightest star in a project full of diamonds; its brilliance casting a glow that outshone everything else in the collection.
Perhaps, it was the wind of influence from the featured Joshua Baraka, a force of nature carving a path through the music world, soaring in a realm where his peers only dream of ascending, swiftly marking his territory in the African music scene.
“High” became a testament to Marioo’s artistry, which is a dance between deep creativity and commercial allure, proving he could craft songs that are artistic masterpieces, alongside those that are chart-toppers. – Frank Njugi
63. “Showa” – Kizz Daniel (Nigeria)
Afrobeats star, Kizz Daniel, has consistently celebrated his African heritage through a variety of tracks. With “Showa”, he takes things up a notch, incorporating the talking drum, rolling stick, and kick drum to create a rich and dynamic instrumental foundation.
The song serves as a heartfelt reassurance of his love, loyalty, and devotion to a special someone. Laden with layered messages, “Showa” showcases the lyrical depth and artistry of the Abeokuta-born singer, making it a beautiful and resonant rendition. – Emmanuel Daraloye
62. “Hatari” – Ali Kiba (feat. Jay Melody) (Tanzania)
From Ali Kiba’s EP, Starter, the shimmering jewel emerged in the form of “Hatari”, a collaboration with Jay Melody. The song, just like the rest on Starter, carefully carved to echo the soul of Bongo Flava, wraps itself in the nostalgia of its roots, like a melody that whispers the tales of time gone by.
“Hatari” (Swahili for danger) plunges into the heart of love’s tempestuousness. The song captures the magnetic pull of a relationship teetering between thrilling highs and perilous lows, where every spark of affection feels like both a kiss and a flame.
Ali Kiba’s deep, resonant voice flows, steady and powerful, while Jay Melody’s delicate, melodic hums drift like the soft breeze that dances around a storm.
Together, their voices create a magnetic symphony, drawing the listener into a world where tension and passion collide. With its infectious beat and catchy chorus, the song becomes a pulse that compels the body to move. – Frank Njugi
61. “Water & Garri” – Tiwa Savage (feat. The Cavemen & Richard Bona) (Nigeria)
Tiwa Savage’s companion album, Water & Garri, for her debut feature film of the same name, is embedded with several gems. One of its finest tracks, “Water & Garri”, featuring her countrymen, The Cavemen, and Cameroonian-born American artiste, Richard Bona, captures the true essence of traditional African music.
Produced by Cyprus, the song artfully melds Afrobeat, Highlife, and Jazz while exploring the metaphorical duality of life through its repetitive chorus. – Emmanuel ‘Waziri’ Okoro
60. “Mayana Remix” – Kold AF (feat. Darho) (Nigeria)
One of Nigeria’s sonic sensations, KOLD AF, delivers a remix of her scintillating single “Mayana,” featuring Latin Pop act, Darho.
Over the Reggae-influenced record, both artistes effortlessly emphasise the importance of prioritising self-care and emotional well-being over the pressures of daily life. KOLD and Darho’s succinct delivery creates a wholesome listening experience. – Emmanuel ‘Waziri’ Okoro
59. “Ozeba” – Rema (Nigeria)
Rema’s HEIS, regarded as both a sonic and cultural reset, is packed with songs that embody the sensibilities of Afro-Rave, a subset of Afrobeats. “Ozeba”, one of the album’s standout tracks, is sonically charged and sees Rema asserting his dominance, individuality, and disregard for societal expectations.
Throughout its runtime, Rema rejects the notion of conformity while solidifying his place at the top of the music scene. This is not a song for introspection; it is crafted specifically for the energy of concert mosh pits. – Emmanuel ‘Waziri’ Okoro
58. “Après Minuit” – Wizkid (feat. Tiakola) (Nigeria)
Afrobeats superstar, Wizkid, in his sixth album, Morayo, collaborates with French rapper/singer, Tiakola, in delivering this delightful tune.
Tiakola impresses with his skillful flow in serenading a lover which Wizkid ultimately matches with his infectious melodies, producing a fan favourite, especially for their French audience and R&B lovers. – MH
57. “Constant K” – Blinky Bill (feat. Fuse ODG) (Kenya)
In 2024, Blinky Bill stood tall as an artiste unafraid to challenge conventions, weaving his distinct vision into subversive musical landscapes. Yet, with “Constant K”, he charted a course into calmer, more mainstream waters, offering a deliberate moment of respite from the avant-garde explorations of We Cut Keys 2.
Featuring the Ghanaian-English star Fuse ODG, “Constant K” pulsates with the intricate drum patterns of Afrobeats, wrapped in romantic lyricism and charged with vibrant energy.
Its brief but impactful 2-minute-and-22-second runtime sparks an irresistible rhythm, urging listeners to their feet and into motion. A true symphony of vitality, the track beckons audiences to join in its joyous momentum. – Frank Njugi
56. “Jumbo” – TML Vibez (Nigeria)
How do you like your weed? Slow and steady, Tml Vibez seems to suggest on his hit track “Jumbo”. This ode to cannabis sees the singer serenading listeners with vivid descriptions of how weed influences his emotions and perspective. The mid-tempo groove perfectly complements the laid-back theme, allowing the message to resonate deeply.
While “Jumbo” celebrates the allure and beauty of weed, it doesn’t shy away from acknowledging its potential dangers, adding a layer of introspection to the track’s narrative. – Emmanuel Daraloye
55. “Funds” – Davido (feat. Odumodublvck & Chike) (Nigeria)
Afrobeats superstar, Davido, has never been one to shy away from delivering hit records. As the year drew to a close, he unveiled “Funds”, a vibrant track sampling South Africa’s Brenda Fassie’s iconic 1997 hit, “Vul’ Indlela”.
Set against a heart-thumping beat produced by Ucee, Davido joins forces with rapper, Odumodublvck, and Afro-Pop sensation, Chike, to craft a track that exudes opulence. “Funds” celebrates a larger-than-life, extravagant lifestyle and an unabashed willingness to lavishly indulge a love interest.
Odumodublvck’s verse injects playful exaggeration for added flair, while Chike’s velvety vocals tie the song together, creating a rich and captivating listening experience. – Emmanuel ‘Waziri’ Okoro
54. “Alone Remix” – FOLA (feat. BNXN) (Nigeria)
One of West Africa’s breakout stars, FOLA, makes another significant inroad into the music scene with “Alone Remix” featuring melody king, BNXN.
Over a slow-tempo, melancholic, and introspective composition, FOLA and BNXN delicately explore themes of desire, longing, and loneliness as they confront the reality of a relationship gone sour. “Alone Remix” positions FOLA as an act with a bright future ahead. – Emmanuel ‘Waziri’ Okoro
53. “Settle” – Ash (Egypt)
Cairo-born, Montréal-based multi-instrumentalist, Ash, has created a reputation by crafting sounds that transports listeners and blends the pulse of electronic music with the deep rhythms of his Egyptian and French heritage
In his 2024 album, Therapy, this tradition continued, and it flourished even more in the single, “Settle”, an instrumental track that pulsed with the heart of North Africa itself, sweeping through the listeners, igniting the dancefloor with its infectious beats and soul-stirring energy. – Frank Njugi
52. “Azaman” – Rema (Nigeria)
Rema’s HEIS album positions him as the mastermind of Afro-Rave, and “Azaman” off the project, is an unapologetic stamp on that claim. The track roars with energy, driven by swirling synthesizers and a pulsating rhythm that pushes you to the edge.
Rema’s rapid-fire flow burns with intensity as he name-drops influential Nigerian personalities, imbuing the track with a fervor that matches its relentless pace. It is that sweaty, high-energy anthem for those who live to rave. — Abioye Damilare
51. “Ave Maria” – Ajebu Hustlers, Victony (Nigeria)
The music group, Ajebo Hustlers, and Afrobeats star, Victony, join forces on the emotion-laden “Ave Maria”. It is a beautiful curation that showcases the sonic prowess of the artists. The song is fun-filled and resplendent with life’s nuggets. – Emmanuel Daraloye
50. “Iseoluwa” – Fireboy DML (Nigeria)
Fireboy DML opens his album, Adedamola, with “Iseoluwa”, a spellbinding track that immediately sets the tone for what follows. Rooted in the lush textures of Highlife and folk traditions, the song carries an air of reverence as Fireboy delivers heartfelt gratitude to God.
His voice, rich with clarity and purpose, radiates the confidence of an artiste who has weathered storms and emerged stronger. — Abioye Damilare
49. “Waze Wamuhle” – Kelvin Momo, Sino Msolo & Stixx (feat. Mashudu) (South Africa)
Kelvin Momo has carved his name in the sonic tapestry that is melodic Amapiano, establishing a vivid sonic portrait that defines his identity as a South African music producer, DJ, and songwriter.
In “Waze Wamuhle”, Momo acted as the guiding star, illuminating the path for his collaborators and infusing them with his signature sound. Together, they created a rich, harmonious single that was a spellbinding and enchanting masterpiece. — Frank Njugi
48. “Billions” – Sarz & Lojay (Nigeria)
In recent years, few producer-artiste pairings have captured Afro-Pop’s essence as seamlessly as Sarz and Lojay. With “Billions”, they sidestep the genre’s current fixation on log-drum-driven, high-energy tracks, opting instead for something more refined.
The production leans heavily on local drums, weaving them into a melody that grips subtly but assuredly, while retaining Sarz’s signature polish.
Lojay’s silky delivery elevates the track further, his voice threading effortlessly through the layers of percussion and melody. – Abioye Damilare
47. “Cold War” – Llona (feat. Fave) (Nigeria)
Llona’s ability to distill raw emotion into songs that are equally introspective and rhythmically engaging shines through on “Cold War”, one of the standout tracks from his debut album, Homeless, that finds him baring his grief and confronting life’s betrayals with unflinching honesty.
Over melancholic yet subtly propulsive production, Llona acknowledges the pain he has endured, singing with a vulnerability that cuts deep. – Abioye Damilare
46. “Orun” – Ayra Starr (Nigeria)
Ayra Starr summarises her profound journey of personal pain, repentance, and a search for divine intervention song, “Orun”. The switch between English and Yoruba enriches the narrative, blending cultural significance with universal themes of struggle and redemption. The song is a highlife song and a juxtaposition of a puzzle of life, with mental health being the most prominent topic. – Emmanuel Daraloye
45. “Fi Kan We Kan” – BNXN & Rema (Nigeria)
“Fi Kan We Kan,” as used in this context, means there is no need for comparison. Rema and Bnxn firmly declare that they are incomparable to anyone. The Obaah-produced beat serves as a solid foundation for the two music stars. When Rema comes in, he elevates the song to a new level, changing the tempo and lightening the production, with the sequence also shifting. – Emmanuel Daraloye
44. “Poe” – Ruger & BNXN (Nigeria)
Nigerian Afro-Pop sensations, Ruger and BNXN set aside their feud to deliver a collaborative EP, RnB. One of its lead singles, “Poe”, showcases their seamless embrace of the braggadocious spirit synonymous with Afrobeats, featuring high-energy log drums and vibrant horns.
The track highlights their unity and artistry, resulting in a record that stands out as one of the continent’s finest offerings. – Emmanuel ‘Waziri’ Okoro
43. “Controlla” – FAVE (Nigeria)
Nigerian singer and songwriter Fave’s “Controlla” explores the interplay of power and submission in a relationship. Over a mid-tempo beat, Fave acknowledges her partner’s influence with lines like “Your control on my body like a psychic”, while simultaneously asserting her own agency.
“Controlla” represents a pivotal moment in Fave’s artistry, firmly positioning her among West Africa’s rising sensations who deserve a spot on your playlist. – Emmanuel ‘Waziri’ Okoro
42. “Magdar” – Zouhair Bahaoui ( Morocco)
Zouhair Bahaoui, the virtuoso of the North African sound, has long been hailed as that master sculptor of melodies that are showered by the essence of Morocco in every note.
On “Magdar”, he crafted a love song, with whispers of a passion directed towards an elusive shore. Med Cherif’s production served as a bridge between worlds, blending the echoes of Moroccan tradition with the pulse of modern Pop, creating a seamlessness in the song’s sound.
The accompanying music video painted a vivid picture, translating the emotional depth of the song into visual poetry. “Magdar” stood as an evidence to Bahaoui’s genius. – Frank Njugi
41. “Can’t Explain” – Anaïs Cardot (Gabon)
Anaïs Cardot opens her Pink Magnolia album with “Can’t Explain”, a track that perfectly captures her gift for melding emotive narratives into lush soundscapes.
The Gabonese-French artiste channels heartache and introspection through silky smooth vocals that glide effortlessly over a delicate arrangement of tender piano and warm strings. Her melancholic songwriting carries the weight of emotions with her pinpoint vocal runs gliding effortlessly through each verse. – Abioye Damilare.
40. “Big Big Things” – Young Jonn (feat. Kizz Daniel & Seyi Vibez) (Nigeria)
Perhaps one of the most streamed songs of 2024, the trio of Young Jonn, Seyi Vibez, and Kizz Daniel combine to score a hit with the track “Big Big Things”.
Everyone prays for big things, and for this trio, they want them in multiple folds. The simple and classy song is a perfect example of keeping things short and cool. – Emmanuel Daraloye
39. “Tshwala Bam” – TiTom & Yuppe (feat. S.N.E & EeQue) (South Africa)
Before Burna Boy’s feature on the remix propelled it into stratospheric height, TitoM and Yuppe’s “Tshwala Bam” had already cemented its place as a viral sensation. With its infectious rhythm and a signature dance that took over parties and social media, the track became one of the standout Amapiano records of the year.
Even though the song’s virality is undeniable, what truly sets it apart is the expertly crafted log-drum foundation: a pulsating core that makes it impossible to resist the call to move. – Abioye Damilare
38. “Shadow” – Minz & 255 (Nigeria)
Minz’s debut album appears to be one of the best released in 2024. “Shadow”, one of the standout tracks from this album, features 255, with the singer bragging about his sonic prowess and songwriting skills. He is also aware of the naysayers, yet remains unfazed. – Emmanuel Daraloye
37. “Salt” – Dai Verse (Nigeria)
Dai Verse’s “Salt” sounds like a ghetto gospel. When he sings, he reminds you of the formative Omah Lay. He talks and sings, almost flowing into each other. This song is an open letter to the divine, a restitution-type track. Dai Verse seems to be at his lowest while recording this track. – Emmanuel Daraloye
36. “Art” – Tyla (South Africa)
After scoring one of the biggest songs in 2023 and winning her first-ever Grammy award for ‘Best African Music Performance’ earlier this year, she released an eponymous album, TYLA, to cement her global Pop ascendancy.
Stacked with the cadence and log drums that form the DNA of her sensual global smash hit, “Water”, the tenth track, “ART”, off her album, is plucked from a similar formulaic sound.
Tyla’s evocative vocals and pristine songwriting meet the sharp log drums and the warm piano chords, and she compares herself to a work of art. “I’m your centrepiece; make the canvas speak when you draw me in. Look at what you started”, she sings, capturing the listener with her powerful imagery. – MH
35. “Asylum” – Olivetheboy (Ghana)
Following his viral success in 2023 with “Goodsin”, Olivetheboy’s “Asylum” is another masterstroke that blends soulful vocals with infectious melodies. The track taps into the complexities of love, loss, and resilience, with Olivetheboy’s compelling lyrics cutting deep.
The haunting melody adds layers of emotion, making “Asylum” an introspective yet captivating listen that resonates long after the first spin. It’s a striking showcase of his growth as an artiste, building on his previous successes while pushing his sound forward. — Abioye Damilare
34. “Hell and Back” – Fireboy DML (Nigeria)
“Hell and Back” is Fireboy DML at his most expressive, displaying a vocal range that moves from vulnerable highs to gritty lows, all while navigating the chaos of a push-pull relationship.
Nxrth’s bouncy percussion sets the stage for Fireboy’s falsetto to glide effortlessly, while his second verse rhymes with a rhythmic ease that pulls you in deeper.
The song stands out as one you’ll always return to from his album, Adedamola, thanks to its infectious allure and Fireboy’s ability to balance raw emotion with infectious energy. – Abioye Damilare
33. “God Ye Buddy” – Swangz Avenue (Uganda)
Uganda is a land where religion and faith serve as the bedrock, sculpting the very essence of its cultural identity.
The influence of faith flows through the melodies and lyrics of the country’s popular music, reflecting together the values and beliefs of its people. It’s no surprise, then, that one of the year’s most compelling songs to emerge from the country is a gospel anthem.
“God Ye Buddy”, a collaboration by Swangz Avenue’s Azawi, Vinka, and Elijah Kitaka, Zafaran, Winnie Nwagi, and Levixone, was a powerful gospel track that lifted God’s name using dynamic wordplay and soaring vocals, as the artistes created a soundscape of praise, with belting choruses, emotive riffs, and wide-ranging harmonies.
The background harmonies, like that of a choir, swirled together to envelop a listener in a warm embrace, adding depth and soul to the track. Released as the lead song of the album, Swangz All Star, Vol. , “God Ye Buddy” served as a showcase of the best artistic voices coming out of Uganda. — Frank Njugi
32. “Dalilah II” – Joshua Baraka (feat. Qing Madi, Simi & Axon) (Uganda)
Ugandan singer and songwriter, Joshua Baraka, skillfully weaves his emotions into melodies that captivate. In “Dalilah II”, he breathed new life into one of his greatest hits, the 2023 single “Dalilah”, enlisting the help of Nigerian talents, Simi and Qing Madi, along with his trusted collaborator, Axon.
Together, they created an emotional symphony that navigated the tumultuousness of love’s highs and lows.
Baraka opened the song with a line that set the stage for heartbreak, “This love was real till it wasn’t real”, casting a shadow over a once bright affection. Simi offered a glimpse of the sun breaking through the clouds, her voice reflecting the strength found in moving on.
Meanwhile, Qing Madi’s verses were a storm, as she struggled to release the ghosts of a love that lingered like a shadow. With its raw emotion and seamless harmony, “Dalilah II” stood as a powerful testament to the complexities of love and loss. – Frank Njugi
31. “You in My Face” – Tems (Nigeria)
“You in My Face” is a hauntingly beautiful track that delves into themes of self-reflection and resilience. Over the past four years, the Grammy-winning singer, songwriter, and producer has captivated the world with her unique blend of soulful music, introspective lyricism, and sultry vocals.
All these elements come together seamlessly in this song, earning it praise as one of the standout tracks on her album. – Emmanuel ‘Waziri’ Okoro
31. “Last Heartbreak Song” – Ayra Starr (feat. Giveon) (Nigeria)
Heartbreak has long been the muse for countless songs, and Ayra Starr channels that pain on “Last Heartbreak Song”. Over a lush Afro-R&B production from her longtime collaborator Louddaaa, she sings longingly about unrequited love.
There’s an undeniable depth to Ayra’s delivery as she explores the pain of loving someone who doesn’t return it.
Giveon, the American R&B sensation, joins her on the second verse, adding his signature smoothness to the track with his rich, soulful vocals. – Abioye Damilare
29. “Niyo Ndirimbo” — Meddy (feat. Adrien) (Rwanda)
Medard Ngabo Jobert and Adrien Misigaro, known to Rwandans as Meddy and Adrien, are among the leading stars in Rwandan music. In their spiritually-infused anthem, “Niyo Ndirimbo”, they united their voices to touch the very soul.
The song began with the gentle strum of a guitar, a slow and deliberate beat, setting the stage for a journey inward, where the heart found solace in reflection. Sung in Kinyarwanda, their voices carried the weight of divine truths with a calm yet powerful grace.
The lyrics, “Uko urushaho kunyigisha niko nanjye njyenda nkubahisha nasanze ariryo banga ryo kugendera mu nzira zawe Eeh”, spoke of a soul’s pilgrimage towards wisdom and reverence, a pathway where each step is steeped in divine discovery.
As the song unfurled, the duo painted a portrait of peace and joy that comes when one surrenders to the rhythm of a higher will.
As the song drew to its close, the beat softly faded, replaced by the sound of clapping—a pure, unfiltered expression of devotion, amplifying the song’s essence of worship and surrender to the divine. – Frank Njugi
28. “Stubborn” – Victony (feat. Asake) (Nigeria)
Asake and Victony are arguably the two brightest stars of their generation. In their collaboration “Stubborn”, they join forces to sing about their struggle with perseverance, which they describe as stubbornness — a major ingredient of their growth.
For anyone who grows up in a place like Nigeria, being stubborn is often necessary; if anyone doubts this, Asake and Victony are perfect examples.– Emmanuel Daraloye
27. “Can’t Breathe” – Llona (Nigeria)
What does it mean when someone says they can’t breathe? The phrase takes on a deeper meaning from an artiste like Llona. On this track, “Can’t Breathe”, he opens up as he sings about the stumbling blocks derailing him from his goals, objectives, and plans. For anyone who grew up in Nigeria in 2024, the message becomes clearer — and sadder. – Emmanuel Daraloye
26. “Awolowo” – Fido (Nigeria)
One of the standout tunes from a breakout star this year, Nigeria’s Fido locked the charts down with this Sativa-inspired track, “Awolowo”. “Rara oh I go blow my spiff my way, my way no be your way”, he sings, delivering one of the more notable songs of the year. – MH
25. “Jump” – Tyla (South Africa)
On the dancehall-inspired track, “Jump”, Tyla collaborates with Gunna and Skillibeng for a noteworthy performance. With this record, Tyla reaffirms her status as one of South Africa’s superstars, delivering lines like, “They never had a pretty girl from Joburg see me now that’s what they prefer”. The thumping bassline adds an extra kick, making each lyric pack a punch.
Tyla’s confident delivery and charismatic presence shine throughout the track, while Gunna and Skillibeng’s contributions add depth and variety, making “Jump” an exciting listen. The song’s visuals also reflect its energetic lyricism, featuring vibrant dance moves and lively video vixens. – Emmanuel ‘Waziri’ Okoro
24. “Ogechi” – BoyPee, Hyce, Brown Joel (Nigeria)
After years of toiling as artistes, the trio of Brown Joel, BoyPee, and Hayce finally had a breakthrough with the R&B-laden track “Ogechi”. The track is a declarative statement, one you only make when you’re ready to make things official or put a ring on it.
The artistes brilliantly leverage each other’s strengths to craft this song. The emotionally laden vocals, thoughtful lyrics, and fantastic instrumentation all culminate in an impressive addition to Nigerian wedding playlists. – Emmanuel Daraloye
23. “Piece of My Heart” – Wizkid (feat. Brent Fayaz) (Nigeria)
As the lead single off Morayo, “Piece of My Heart” finds Wizkid teaming up with Brent Faiyaz to deliver one of the year’s most enchanting R&B duets.
The track unfolds as a pristine two-part conversation, where both artistes effortlessly merge their distinct styles to explore themes of vulnerability and desire.
P2J’s production is nothing short of sublime—thumping drums and lush instrumentation provide a rich, emotive backdrop that elevates the song’s romantic feel. — Abioye Damilare
22. “Favourite Girl” – Darkoo (feat. Rema) (Nigeria)
Darkoo and Rema repurpose Lenky’s “XM24”, famously sampled on Brick and Lace’s 2007 hit, “Love is Wicked”, on their sonic duet “Favourite Girl”, with the Nigerian singer having the time of his life on this track; it took some sonic effort from Darkoo to match him.
Few would have expected these stars to come through with such a firebrand collaboration. While the interpolated song is about heartbreak and how dark love can be, Darkoo and Rema switch things up, making it celebratory. – Emmanuel Daraloye
21. “MMS” – Asake & Wizkid (Nigeria)
It’s almost impossible to discuss the best collaborative Afro-pop tracks of 2024 without mentioning “MMS”.
Beyond the star power of Asake and Wizkid, the song’s brilliance lies in its understated delivery and its poignant themes. A slow-burning reflection on life’s transience and the omniscience of God, the track thrives on the chemistry between the two artistes as they channel vulnerability with striking sincerity.
P.Priime’s lo-fi production serves as the perfect canvas, blending soft textures with a subtle bass guitar riff that creates a meditative tone. — Abioye Damilare
20. “Higher” – Burna Boy (Nigeria)
In a year where Burna Boy scaled back his releases to just two singles, “Higher” stands out as a deeply introspective Afro-Pop gem. The track is built on a foundation of soulful log drums, steady metronomic snares, and delicate piano notes to create a reflective sonicscape.
Burna’s lyricism here is piercing, as he reflects on life’s fleeting nature with lines like, “some people dey for mortuary, some people dey for hospital”.
It’s Burna at his most contemplative, offering a moment of deep reflection while showcasing his ability to balance weighty themes with musical sophistication. – Abioye Damilare
19. “A Million Blessings” – Wizkid (Nigeria)
Wizkid’s album, Morayo, might have been framed and anticipated as a grief-stricken project—since its dedicated to his late mother—but its true beauty lies in its refusal to stay tethered to sorrow.
On “A Million Blessings”, Wizkid shifts from mourning to reflection to deliver a heartfelt meditation on his journey so far while leaning into his desire for life’s pleasures.
Set against a mid-tempo groove with laid-back instrumentation, Wizkid’s delivery feels both intimate and celebratory. The line, “I just want jaye, owo lon saye”, is a reminder of the importance of finding joy amid life’s complexities. – Abioye Damilare
19. “Wickedest” – Tems (Nigeria)
On “Wickedest”, from her debut album, Born in the Wild, Tems showcases her versatility by exploring different sonic dimensions. Sampling Magic System’s high-energy 2000 hit, “1er Gaou”, Tems exudes confidence and self-assurance.
“Yeah, I’m the one that got the scene bangin’/ And I go hard, that’s why they keep talkin’/ Three years and I’m only just gettin’ started,” she asserts, silencing her critics with unwavering conviction. – Emmanuel ‘Waziri’ Okoro
17. “Mtaona Nikipaa” – Blinky Bill (Kenya)
We Cut Keys 2 is an album whose magic blooms and ripens with every listen as time stretches on. Its crown jewel is a melodic ballad that dances through personal aspirations, wrapped in playful beats. “Mtaona Nikipaa” is a mosaic of contrasts, where different worlds collide into a single construct.
At one point, the song swings between exploring a steadfast self-belief, and being a piercing glance at the state of Kenya, capturing the pulse of both Blinky Bill as an individual and those around him.
Sonically and lyrically, “Mtaona Nikipaa” carries the album’s core theme and emotion, effortlessly taking a listener through the landscape of the whole project. – Frank Njugi
16. “Mo De Ma” – Minz (Nigeria)
“Mo De Ma” sounds like a declarative statement from Minz. While the theme is relatable, the bouncy nature of the instrumentals and the dynamism of his flow make it even more appealing.
For an artiste who is just getting his biggest break, this type of track is quite unusual — but not for Minz; he has a word for anyone who cares to listen. Money, craft, and legacy are three attributes he holds dear to his heart.
“Mo De Ma” is the type of track you play whenever you’re in doubt about your craft. The song starts with a cliché quote and ends with words from Angélique Kidjo, the legendary music icon from Benin Republic. – Emmanuel Daraloye
15. “Love Me Jeje” – Tems (Nigeria)
One of the more fascinating trends in Nigerian Pop this year has been the artful revival of old classics, and Tems’ “Love Me Jeje” is perhaps its most compelling example.
Drawing from Seyi Sodimu’s 1997 hit of the same name—a song that holds an iconic place in Nigerian love balladry—Tems reimagines it as a laid-back, sunlit groove meant for beachside revelry.
The soulful vulnerability of the original gives way to a more confident, refined aura, her voice flows effortlessly through lush, mid-tempo instrumentation that modernizes the essence of the song without losing its warmth. – Abioye Damilare
14. “Tomorrow” – Yemi Alade (Nigeria)
Yemi Alade becomes an advocate of the good life, a messenger of hope to her people on the Grammy-nominated “Tomorrow”. Arguably one of her best-written and arranged songs in recent times, the composition of this track further cements her status as one of the brightest Afrobeats female artists around. The impeccable curation of the instrumentation makes the song even more appealing to listen to. – Emmanuel Daraloye
13. “Modern Day Suicide” – Odeal (Nigeria)
Odeal’s “Modern Day Suicide”, from his critically acclaimed Lustropolis, is a dark and brooding track that explores themes of loss and addiction. Over lush piano and bass guitar chords, Odeal conveys feelings of loneliness and despair following the departure of his love interest.
Consumed by the memory of their physical connection, he turns to drugs and alcohol as a means of escapism.
“Modern Day Suicide” solidifies Odeal’s status as an artist you should have on your radar. – Emmanuel ‘Waziri’ Okoro
12. “Bad Vibes” – Ayra Starr (feat. Seyi Vibez) (Nigeria)
Unexpected collaborations often carry the weight of skepticism, but on “Bad Vibes”, Ayra Starr and Seyi Vibez deliver a perfect fusion that transcends genre expectations.
Ayra, the celestial voice of contemporary R&B and Pop, joins forces with Seyi Vibez, whose Fuji-inflected Street-Hop sound embodies raw, unfiltered emotion. Together, they carve out a mid-tempo anthem that thrives on contrasts; Ayra’s velvety, emotive delivery colliding beautifully with Seyi’s raspy, streetwise cadence.
The track’s backbone lies in its production: a sleek, percussive rhythm underscored by a crowd-backed chorus that echoes with communal energy. – Abioye Damilare
11. “Risk” – Victony (Nigeria)
Victony’s striking vocals remain his most distinct gift, solidifying his place among the brightest stars of Afro-Pop’s new generation.
On “Risk”, a standout from his debut album Stubborn, he paints a vivid portrait of a woman’s allure with heartfelt precision. Set against P.Priime’s trap-leaning production, the track balances vulnerability with swagger, making it a testament to Victony’s ability to turn intimate storytelling into something irresistibly captivating. – Abioye Damilare
10. “Now I Know” – Rema (Nigeria)
Perhaps the most emotionally charged song on Rema’s stacked HEIS, “Now I Know” sees the superstar engaging in an internal dialogue as he reminisces on his tumultuous beginnings pre-fame.
Rema’s emotion-laden delivery, coupled with the melancholy production from P.Priime, Take a Daytrip, and FWDSLXSH, elevates the song’s appeal, making it one of 2024’s gems. – Emmanuel ‘Waziri’ Okoro
9. “sweeeet” – Amaarae (Ghana)
Amaarae has consistently established herself as one of the leading voices in the Alté scene, and with “sweeeet”, she reminds us why. Set against a backdrop of mid-tempo, bouncy drums, she delivers a sensual and playful track that delves into themes of desire, intimacy, and physical attraction.
Amaarae’s sultry vocals, paired with lush production, seamlessly tie the song together, making it an instant earworm. – Emmanuel ‘Waziri’ Okoro
9. “Kese” – Wizkid (Nigeria)
There was never any doubt that Wizkid’s “Kese”—despite being released at the tail end of 2024—would dominate December’s dancefloors.
Channelling the raw, high-energy Afrobeats sound of his early years, Wizkid returns to form with a track bursting with vibrancy and infectious rhythm.
The song’s momentum was supercharged by a TikTok-inspired dance that swept across parties. With “Kese”, Wizkid reclaims his crown as the maestro of festive bangers, proving that even at the year’s close, his ability to own the moment remains unmatched. – Abioye Damilare
7. “Ngingo Wakho” – Nasty C & Lekaa Beats (feat. Gabzy) (South Africa/Nigeria)
An outstanding album track from South Africa’s prolific rapper, Nasty C, and Nigerian producer, Lekaa’s EP, Confuse the Enemy, the duo feature Gabzy in this affectionate rendition, which has Nasty C raving about a female love interest with well crafted propositions, accompanied by sultry vocals from Gabzy.
The matching hook is just as pleasant as they team up to deliver one of the best tunes from the EP. – MH
6. “Break Me Down” – Wizkid (Nigeria)
Wizkid’s sixth studio album, Morayo, undeniably ranks among the best projects on the continent this year, and tracks like “Break Me Down”, which blends Afrobeats, R&B, and Dancehall, are a testament to its brilliance.
In typical fashion, Wizkid delves into themes of intense emotions and desire, delivering lyrics laced with sexual innuendo and vivid imagery. DAMEDAME*’s bouncy production, paired with Wizkid’s smooth and effortless delivery, cements “Break Me Down” as one of the continent’s standout tracks. – Emmanuel ‘Waziri’ Okoro
5. “Active” – Asake (feat. Travis Scott) (Nigeria)
On “Active”, the standout track from his experimental third album Lungu Boy, Asake brings Travis Scott into his inventive orbit, crafting one of 2024’s most electrifying collaborations.
Engineered by Sarz’s masterful production, the track creatively fuses Adewale Ayuba’s iconic vocals—sampled via Jazzman Olofin’s 2004 Fuji-Hip Hop classic, “Raise the Roof”, with Erick Bardales’ 504 Bounce vocal pack and a bassline reminiscent of C+C Music Factory’s ‘90s anthem, “Gonna Make You Sweat (Everybody Dance Now)”.
Asake’s signature delivery meets Travis Scott’s slick rap flow, creating a hard-hitting groove that blurs genre lines and solidifies the song as a peak moment of African music’s global resonance this year. – Abioye Damilare
4. “Histoire Imaginaire” – Anaïs Cardot (Gabon)
Inspired by her vacations in Europe, Anaïs Cardot, a staple on Afrocritik’s weekly listicles, marks her spot with “Histoire Imaginaire”, loosely translated to ‘imaginary stories’, off her debut LP, Pink Magnolia (Deluxe).
Here, the singer croons romantically about her lover as she compares him with aesthetic natural phenomena.
Using crisp poetic verbiage, Anaïs juxtaposes the features of her lover with some of the most flattering compliments of nature, using deft metaphors, all delivered in French. The simplicity, sultriness, yet intricacy of her delivery make for the song’s beauty; a marquée romantic chanson. – MH
3. “Burning” – Tems (Nigeria)
Nigerian R&B and Alté sensation, Tems, has maintained the reputation as one of the continent’s brightest lyricists and vocalists. Her debut album, Born in the Wild, is stacked with several gems but one of the brightest, “Burning” bears mentioning.
In this nostalgic R&B track, Tems reflects on her newfound success and the internal conflict of coming to terms with her fame. “It was all a dream/ Just a new girl on the scene/ Got your face on magazines/ How it feels? It’s killing me”, she croons, as GuiltyBeatz crafts the song to sonic perfection.
“Burning” is a powerful anthem about finding inner strength and pursuing dreams with unwavering passion. It’s no surprise that the track has been nominated for ‘Best R&B Song’ at next year’s Grammy Awards. – Emmanuel ‘Waziri’ Okoro
2. “Phenomena” – BNXN (Nigeria)
BNXN’s honeyed vocals have always been his strength, but it’s his lyrical depth that truly keeps listeners captivated. “Phenomena”, one of his standout 2024 releases, showcases his ability to blend smooth delivery with hedonistic lines.
The track is a laid-back yet groovy offering, thanks to Gemini Major’s slick production, which provides the perfect backdrop for BNXN’s evocative lyrics. – Abioye Damilare
1.“Push 2 Start” – Tyla (South Africa)
South African superstar, Tyla, once again proves her mettle—whether delivering global sensations or releasing critically acclaimed projects like her self-titled EP and album. One of the standout gems of her album, TYLA+, is “Push 2 Start”, an Afro-Pop track that highlights the emotional intensity also found in her global chart-topper, “Water”.
Here, Tyla explores her desire for physical intimacy, using different metaphors to express her deepest feelings.
With guitar plucks and staccato drums creating an immediate sense of anticipation, she masterfully urges her lover, through deft lyricism, to reciprocate her emotions. It’s no surprise that “Push 2 Start” stands as one of the finest tracks to emerge from the continent. – Emmanuel ‘Waziri’ Okoro
Honourable Mentions
- “Higher Powers” – Wizard Chan (feat. Boma Nime) (Nigeria)
- “A Million Things” – Taves (Nigeria)
- “Adenuga” – Joeboy (feat. Qing Madi) (Nigeria)
- “Jesus Christ 2” – AratheJay (feat. Black Sheriff) (Ghana)
- “Mario” – T.I Blaze (Nigeria)
- “Therapy” – Odunsi (The Engine) (feat. BENA) (Nigeria)
- “Pōseïdøn” – Tayc (DR Congo)
- “Ifineme” – Morravey (Nigeria)
- “Si t’es pas là” – Franglish (DR Congo)
- “Could This Be Love?” – Nasboy & Chike (Nigeria)
- “Over” – T’neeya (Cameroon)
- “Permission Granted” – King Promise (Ghana)
Frank Njugi is a Kenyan Writer, Culture journalist and Critic who has written on the East African and African culture scene for platforms such as Debunk Media, Republic Journal, Sinema Focus, Culture Africa, Drummr Africa, The Elephant, Wakilisha Africa, The Moveee, Africa in Dialogue, Afrocritik and others. He tweets as @franknjugi.
Listed twice by “Black Pride Magazine” as one of the top 5 Music Journalists in Nigeria, Emmanuel Daraloye has over 600 album reviews in his archive.
Abioye Damilare is a music journalist and culture writer focused on the African entertainment Industry. Reading new publications and listening to music are two of his favourite pastimes when he is not writing. Connect with him on Twitter and IG: @Dreyschronicle
Emmanuel ‘Waziri’ Okoro is a content writer and journalist with an insatiable knack for music and pop culture. When he’s not writing, you will find him arguing why Arsenal FC is the best football club in the multiverse. Connect with him on X, Instagram, and Threads: @BughiLorde