Nigeria Prize For Literature
Spotlight

Afrocritik Weekly Music Spotlight: BIG JOL!

AFRIMA

Features & Essays

music videos
Are Music Videos Relevant in Afro-Pop Today?
Marketing
Noise or Attention: What Really Sells Nollywood Films?
Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
sexual violence
Dear Nollywood, Stop Using Sexual Violence as a Plot Device

Interviews

FirstKlaz
The Neo-Arewa Soundscapes of FirstKlaz
Afolabi Olalekan
“None of Us Is Immune”: In Conversation with Afolabi Olalekan and Blessing Uzzi, Director and Producer of “Freedom Way”
Fimí
In Conversation: Fimí Talks Rap, Creative Confidence, and Finding Her Voice Through Music
Wingonia Ikpi
In Conversation: Wingonia Ikpi Talks Making “The Lost Days”, the First Features Project, and What’s Next
Maia Lekow
Maia Lekow And Christopher King Want To Make Films About Kenyan Women With A Strong Sense Of Agency
Amel Guellaty
“Making a Film Anywhere in Africa Is a Struggle”: In Conversation With Tunisian Filmmaker, Amel Guellaty, Director of “Where the Wind Comes From”

Film & TV

Sin
“Sin: First Blood” and “Sin: Blackout” Review: The Irredeemable Failure of Jim Iyke’s Big-Budget Crime Thriller Wannabe
Marketing
Noise or Attention: What Really Sells Nollywood Films?
Out in the Darkness
“Out in the Darkness” Review: Sarah Kwaji’s Film Feebly Explores Postpartum Health
Devil is a Liar
“Devil is a Liar” Review: Moses Inwangʼs Film Lies About the Story It Is Telling
Finding Nina
“Finding Nina” Review: Nemsia Studios Makes a Soulless Pitch for Positive Portrayals of Northern Nigeria
Cordelia
“Cordelia” Review: Tunde Kelani’s Return to Cinemas is an Ambitious but Inconsistent Adaptation

Music

Spotlight
Afrocritik Weekly Music Spotlight: BIG JOL!
music videos
Are Music Videos Relevant in Afro-Pop Today?
Emadlelweni Aluhlaza
“Emadlelweni Aluhlaza” Review: Blue Pappi Charts Introspective Journey Across Sprawling Album
Lifestyle
“Lifestyle” Review: Balloranking Brings His Street-Pop Sound to an Amapiano-Driven EP
Spotlight
Afrocritik Weekly Music Spotlight: Potential Showcase
Not Guilty
“Not Guilty” Review: Terry Apala Celebrates Freedom on Compact EP

VIDEOS

Welcome to our YouTube Channel

Books

The Middle Daughter
“The Middle Daughter” Review: Chika Unigwe Synthesises Form And Content Into Mesmerising Storytelling
An Unusual Grief
Grief Touches the Sublime in Yewande Omotoso’s “An Unusual Grief”
New York, My Village
“New York, My Village” Review: Uwem Akpan’s Book Is An Important Breakaway From Conventional Contemporary Setting
Leave My Bones in Saskatoon
Michael Afenfia’s “Leave My Bones in Saskatoon” and the Burial of Prose Fiction
Literary Festivals
8 Literary Festivals Lighting Up Africa in the Second Half of 2025
Years of Shame
“Years of Shame” Review: Obinna Udenwe’s Ambitious New Novel Nearly Crumbles Under the Weight of Editorial Issues

Culture

Labubu dolls
How Capitalists Are Exploiting Us Through ‘Must-Haves’
To Kill a Monkey
To Kill a Conversation: Nollywood, Criticism, and the Culture of Silence
Nigeria
Nigeria’s Class Problem and the Nepotism Debate
Skincare
Why African Men Are Finally Embracing Skincare
Marriage
To Sacrifice for Love: A Case for the Beauty of Marriage
crime reporting apps
Can Crime Reporting Apps Increase Police Responsiveness in Africa?

Fashion

AMVCA

2025 AMVCA: How the Stars Lit up the Night With Style

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AMVCA Cultural Day

10 Celebrities Who Slayed the 2025 AMVCA Cultural Day

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Met Gala
What Africa Wore to the Met Gala 2025: Fashion, Symbolism, and the Limits of Black Dandyism
Read More
2025 Grammy
Bold, Regal, and Stylish: African Artistes at the 2025 Grammys
Read More
Africa Sourcing and Fashion Week
10 African Fashion Events to Watch Out for in 2025
Read More

Sports

Kelechi Nwakali
Kelechi Nwakali: Stuck in Football’s Revolving Door
women’s football
A $100,000 Reward, No Infrastructure: Nigeria Must Rethink Women’s Football
The African Giant
Documentary Spotlight: “The African Giant”
AfroBasket
The Ultimate Guide to the 2025 Women’s AfroBasket in Côte d’Ivoire
WAFCON
WAFCON 2024 Quarterfinal Guide: Players to Watch and Our Predictions
WAFCON
WAFCON 2024: African Women’s Football Deserves Better Broadcast Coverage

Explainers

Serhou Guirassy
Serhou Guirassy: Against the Odds
Omoni Oboli
Omoni Oboli and Nollywood’s Dilemma With Copyright Infringement
Gangs of Lagos
Understanding Jade Osiberu’s “Gangs of Lagos” Court Ruling
Mercy Chinwo and EeZee Conceptz
Inside the Mercy Chinwo and EeZee Conceptz Fallout
Navigating the Business Side of Writing
Navigating the Business Side of Writing: What Every Author Needs to Know
How Budgeting Apps Empower Young Africans

Fiction & Poetry

Two Poems
Two Poems | By Salama Wainaina
Dearth Warning Signs
Dearth Warning Signs | Poem By Peace Ogunjemilua
three poems
Three Poems | By Olamoyegun Noah O
two poems
Two Poems | By Tukur Ridwan
The Dreamer | Short Story By Ornguze Nashima Nathaniel
“Life’s Daunting Stare” & “Home As A Symbol Of Nostalgia” | Poems By Ewurama Tawiah Welbeck