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Book O’Clock Launches Àtìpó Book Review Prize

The award offers participants an opportunity to explore Nigerian literature and compete for a shared…

Afrocritik Weekly Music Spotlight: Week 7
Afrocritik Weekly Music Spotlight: Week 16

By Yinoluwa Olowofoyeku Ahoy there, fellow music adventurers! I hope you are here with whetted…

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15 Emerging African Designers Breaking through Mainstream Fashion

Their works have graced international runways, fashion shows, and they have also collaborated with renowned…

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“Fatal Seduction” Review: Netflix’s New Series Offers Steamy Temptations But Little Thrill

Fatal Seduction is rather predictable, with obvious clues placed throughout the plot, taking away any…

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“Blessed” Review: With Sophomore Extended Play, Mohbad Marks Triumphant Comeback

Blessed is undoubtedly Mohbad’s most cohesive body of work yet, celebrating his return to the…

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Abubakar Adam Ibrahim’s “When We Were Fireflies” Examines the Primal Questions of Life and the Afterlife

Abubakar Adam Ibrahim’s When We Were Fireflies is arguably the greatest novel to come out…

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ArtMattan Films Acquires USA Rights for Sana Na N’Hada’s “Nome”

The film, co-produced by The Dark, marks Na N’Hada’s third feature-length film. By Helena Olori…

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Painting a New Way of Seeing Africa: In Conversation with the Filmmakers Who Took “Mami Wata” Global

People are going to try to do something like Mami Wata. People are going to…

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“Thy Kingdom Come” Review: Seyi Vibez Displays Peak Form and Hints at Even More

Thy Kingdom Come brims with vibrant self-expression that hides tidbits of wit, raunch, and wisdom…

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The Royal Society of Literature Inducts 6 Writers of African Descent as Fellows

According to the president of the society, Bernardine Evaristo, the latest fellows include a broad…